Böcker av Alice McDermott

'Absolution is one of the finest contemporary novels I've read. It is a moral masterpiece.'ANN PATCHETT'Damning and dazzling, this is the story of a Vietnam we never got in history class' OPRAH DAILY'A masterful American writer'MAIL ON SUNDAYYou have no idea what it was like. For us. The women, I mean. The wives. 1963. Saigon. Tricia is a shy newlywed, married to a rising attorney working for US Navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. The two women form a wary alliance as they struggle to balance the pressure to be respectable wives for their ambitious husbands, with their own dubious impulses to "do good" for the people of Vietnam. Sixty years later, Charlene's daughter, spurred by an encounter with an aging Vietnam veteran, reaches out to Tricia. Together, they look back at their time in Saigon, discovering how their lives as women on the periphery - of politics, of history, of war, of their husbands' convictions - have been shaped and burdened by the unintended consequences of America's tragic interference in Southeast Asia. Exploring the disaster of the Vietnam War through the lives built by American wives in 1960s Saigon, this is a virtuosic novel about folly and grace, obligation, sacrifice and the quest for absolution in a broken world.

The "beautifully written" (The Washington Post) first novel by Alice McDermott, National Book Award-winning author of Charming Billy and Someone.Elizabeth Connelly, editor at a New York vanity press, sells the dream of publication (admittedly, to writers of questionable talent). Stories of true emotional depth rarely cross her desk. But when a young writer named Tupper Daniels walks in, bearing an unfinished novel, Elizabeth is drawn to both the novelist and his story-a lyrical tale about a man in love with more than one woman at once. Tupper's manuscript unlocks memories of her own secretive father, who himself may have been a bigamist. As Elizabeth and Tupper search for the perfect dénouement, their affair, too, approaches a most unexpected and poignant coda.A brilliant debut from one of our most celebrated authors, A Bigamist's Daughter is "a wise, sad, witty novel about men and women, God, hope, love, illusion, and fiction itself" (Newsweek).

The beautiful child of older parents, raised on the eastern end of Long Island, Theresa is her town's most sought-after babysitter-cheerful, poised, an effortless storyteller, a wonder with children and animals. Among her charges this fateful summer is Daisy, her younger cousin, who has come to spend a few quiet weeks in this bucolic place. While Theresa copes with the challenges presented by the neighborhood's waiflike children, the tumultuous households of her employers, the attentions of an aging painter, and Daisy's fragility of body and spirit, her precocious, tongue-in-cheek sense of order is tested as she makes the perilous crossing into adulthood.In her deeply etched rendering of all that happened that seemingly idyllic season, Alice McDermott once again peers into the depths of everyday life with inimitable insight and grace. As Margaret Atwood wrote in The New York Review of Books, Child of My Heart is "richly textured [and] intricately woven . . . A work not only of, but about, the imagination."

A collection of essays, lectures, and observations on the art of writing fiction from Alice McDermott, winner of the National Book Award and unmatched "virtuoso of language and image" (Rebecca Steinitz, The Boston Globe)What About the Baby? Some Thoughts on the Art of Fiction gathers the bestselling novelist Alice McDermott's pithiest wisdom about her chosen art, acquired over a lifetime as an acclaimed writer and teacher of writing.From technical advice ("check that your verbs aren't burdened by unnecessary hads and woulds") to setting the bar ("I expect the fiction I read to carry with it the conviction that it is written with no other incentive than that it must be written"), from the demands of readers ("they'd been given a story with a baby in it, and they damn well wanted that baby accounted for") to the foibles of public life ("I've never subscribed to the notion that a film adaptation is the final imprimatur for a work of fiction, despite how often I've been told by encouraging friends and strangers, 'Maybe they'll make a movie of your novel,' as if I'd been aiming for a screenplay all along but somehow missed the mark and wrote a novel by mistake"), McDermott muses trenchantly and delightfully about the craft of fiction.She also serves throughout as the artful conductor of a literary chorus, quoting generously from the work of other great writers (including Tolstoy, Shakespeare, Nabokov, Morrison, and Woolf ), beautifully joining her voice with theirs. These stories of lessons learned and books read, and of the terrors and the joys of what she calls "this mad pursuit," form a rich and valuable sourcebook for readers and writers alike: a deeply charming meditation on the unique gift that is literature.

An affecting story from the author of Child of My Heart that eloquently portrays the emotional depth of heartbreak

Presents essays by leading short-story writers on their favorite American short stories and why they like them. It will send readers to the library or bookstore to read - or re-read - the stories selected.On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that "e;Nobody can read like a writer,"e; Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction he or she values. Among the writers whose stories are discussed are such American masters as James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver, Wright, Updike, Bellow, Salinger,Malamud, and Welty; but the book also includes pieces on stories by canonical but lesser-known practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle, Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen, Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass, and Jamaica Kincaid, and relative newcomers such as Lorrie Moore, Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen, and Edward P. Jones. Why I Like This Story will send readers to the library or bookstore to read or re-read the stories selected. Among the contributors to the book are Julia Alvarez, Andrea Barrett, Richard Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass, Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan Silber, Elizabeth Spencer, and Mako Yoshikawa. Editor Jackson R. Bryer is Professor Emeritus of English at the University of Maryland.

From National Book Award-winner and Pulitzer Prize Finalist Alice McDermott, The Ninth Hour is the critically-acclaimed "haunting and vivid portrait of an Irish Catholic clan in early twentieth century America" (The Associated Press).One of TIME Magazine's Top Ten Novels of the YearA 2017 Kirkus Prize FinalistA New York Times Book Review Notable Book On a dim winter afternoon, a young Irish immigrant opens a gas tap in his Brooklyn tenement. He is determined to prove-to the subway bosses who have recently fired him, to his pregnant wife-that "the hours of his life . . . belonged to himself alone." In the aftermath of the fire that follows, Sister St. Saviour, an aging nun, a Little Nursing Sister of the Sick Poor, appears, unbidden, to direct the way forward for his widow and his unborn child.In Catholic Brooklyn in the early part of the twentieth century, decorum, superstition, and shame collude to erase the man's brief existence, and yet his suicide, though never spoken of, reverberates through many lives-testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, even through multiple generations. Rendered with remarkable delicacy, heart, and intelligence, Alice McDermott's The Ninth Hour is a crowning achievement of one of the finest American writers at work today.

While Michael and Annie Keane taste the intoxicating and bitter fruits of the sexual revolution, their older brother finds himself on the way to Vietnam. Clare, the youngest, seeks to maintain a saintly innocence. As their parents struggle to uphold the family's framework, the siblings experience the challenges and liberties of the 1960s.

On the cusp of fifteen, pretty Theresa is the town's sought-after babysitter - adored by children, but also a solitary soul with an already complex understanding of human nature. During this summer, it is her cousin Daisy, a frail little creature with glittery shoes and worrying bruises that don't heal, in whom Theresa invests her greatest love.