Using montage - relayering multiple pasts and on-going present - this challenges the obsession with "postmodernity", demanding a deeper, more connective understanding of the pleasures and dangers of the European present.
Through one figure- Badin, an eighteenth-century Afro-Caribbean slave given to the Swedish royal court- Allan Pred shows how stereotypes endure through the repeated confusion of facts and fiction, providing a highly original perspective on the perpetuation of racializing stereotypes in the West.
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
