Böcker av Alyssa Maxwell

Reporter and sleuth Emma Cross Andrews must stop a bold poisoner who is targeting the society wives of the Four Hundred in Gilded Age Newport, Rhode Island . . .August 1901: A fundraiser for a new Rhode Island Audubon Society brings Emma to Vinland, the Viking-themed seaside home of her relative, Florence Vanderbilt Twombly, where the guest of honor is Edith Roosevelt, wife of Vice President Theodore Roosevelt. Listening to the speakers and observing the ladies in attendance, Emma is struck by the contrast of the Viking warrior–inspired elements in the house and the admirable but admittedly genteel cause of bird protection. Vinland bears the name of the Vikings’ first landfall in North America, but in this room today there is most assuredly no one to fear.Emma’s observation of harmless philanthropy is proven wrong the following morning when one of Mrs. Twombly’s houseguests from the luncheon becomes mysteriously and dangerously ill. Accompanying police detective Jesse Whyte, Emma discovers a box of petit fours supposedly sent by Mrs. Roosevelt. They promptly rule out the Second Lady as a suspect, but someone has poisoned the cakes.Soon another box of desserts as well as letters tainted with ink containing caustic toxins show up at other grand Newport cottages. Are the ladies from the luncheon being targeted? Emma and Jesse must sort through possible motives and means because now more than the birds need protection . . .

Set among the landed gentry of post-WWI England and perfect for fans of Downton Abbey, Alyssa Maxwell’s latest historical mystery finds sleuthing duo Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, hunting a killer after the decision to open Foxwood Hall for guided tours turns deadly...“Agatha Christie meets Downton Abbey…exemplary.” —Publishers Weekly To make ends meet, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, have decided to open up Foxwood Hall to guided public tours. Not everyone is pleased about it—even to the point of committing murder… The lean times following the Great War continue to require creative solutions for England''s noble class. But Lady Phoebe’s proposal to open up the Renshaw estate to guided tours for additional income strikes many in the family as a “vulgar enterprise.” Phoebe’s grandfather, the Earl of Wroxly, however, reluctantly concedes the necessity. Their first tour group consists of members of the Historical Society, a magazine writer, and a flock of students. It’s a large group for Phoebe, her sister Amelia, and Eva to manage, and when the widow Arvina Bell goes missing, Eva goes in search of her—only to find her in the library, strangled with a silken drapery cord. The schoolchildren are promptly sent home, but the members of the Historical Society—many of whom also wandered off at times—remain for interrogation. There is also, curiously, a framed photo missing from the library. As the police hastily zero in on a suspect, Phoebe and Eva weigh the clues. Does the crime have to do with rumors of hidden treasure at Foxwood Hall? But they must make haste to solve the widow’s murder—before someone else becomes history…

In the Alyssa Maxwell's sixth delightful A Lady and Lady's Maid Mystery set after World War I, a trip to Staffordshire for Lady Phoebe Renshaw and her lady's maid, Eva Huntford, leads to murder in a famed pottery works...Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary.The two leading designers at the illustrious china manufacturer offer competing patterns. But when one of them is found dead--his body crushed in a grinding pan and his design pattern book missing--his rival is immediately suspected. The police are also suspicious of the dead designer's resentful young son, a schoolmate of Phoebe's fifteen-year-old brother Fox. When Fox gets involved to help his friend, Phoebe begins to investigate the rival artist.At the same time, Eva is enlisted to go undercover at the works so she can gain the confidence of the female employees, who are only allowed to paint, not design, which may have led to a grudge against the victim. Pursuing a killer who has no compunction about using a kiln as a coffin, Phoebe and Eva take their lives into their hands to discover the shattering truth...

As England recovers from its costly involvement in the Great War, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, find the steady comforts of their lives unsettled by a local case of murder . . . Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her. When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police-including Eva's beau, Constable Miles Brannock-suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder-and Eva fears her sister was with him. If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .

In the sobering yet hopeful years following the First World War, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, find their summer plans marred by an instance of murder . . . Phoebe and her sister Julia are eager for a summer getaway at High Head Lodge, the newly purchased estate of their cousin Regina. But they are not the only houseguests. Regina's odd friend, Olive, is far from friendly, and Regina's mother and brother-bitter over the unequal distribution of her father's inheritance-have descended on the house to confront Regina. In addition to the family tension, Eva is increasingly suspicious of Lady Julia's new maid-wondering why she left her former employer so suddenly. And why does Regina seem ill at ease around the maid, as if they were previously acquainted? But things go from tense to tragic when their hostess meets an untimely end-murdered in her bed with no signs of struggle. Now, with suspects in every room, Lady Phoebe and Eva must uncover secrets hidden behind closed doors-before a killer ensures they never leave High Head Lodge . . . alive. "An unusual twist rooted in the recent horrors of World War I adds interest to a typical country-house mystery." -Kirkus Reviews