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  • av Amelia Jones
    250,-

    'A 5 star book! I loved every word of this enemies to lovers slow burn rom com!... It is perfect!!' Reader review 5 starsIt is a truth universally acknowledged that you will go from enemies to lovers...Meet Elizabeth Bennet. Otherwise known as Eden Blake the understudy in Liz and Darcy, the musical adaptation of Pride and Prejudice. Eden has toiled away for years as a working actress in terrible commercials. While she's not guaranteed a spot on stage, this production is one step on the road to her dreams.Until Brennon Thorne, their new Mr Darcy, and all-round theatre god joins the next leg of their tour. Brennon can't hide his contempt for Eden and anyone who isn't a classically trained actor. And he doesn't care who knows it.But at least they don't need to spend that much time together.Until the actress playing Elizabeth drops out last minute and suddenly the spotlight is on Eden. Opposite Brennon. On stage. Every night. Which always ends with a kiss.Brennon's arrogance and disdain is almost unbearable. But as one on-stage kiss leads to another, Eden can't help feeling something else...Could her pretend Mr Darcy actually be one in real life? Or does that only happen in a Jane Austen novel?A wonderfully witty and spicy retelling of Jane Austen's classic tale of enemies to lovers. Fans of bookish happy ever afters will be hooked by this romantic comedy that is perfect for fans of Emily Henry and Ali Hazelwood.

  • av Amelia Jones
    256,-

    "Actress Eden Blake's biggest claim to fame is a mortifying pharmaceutical commercial for male enhancement pills. That is, until the female lead on the nationwide tour of Broadway's hit Pride & Prejudice musical abruptly quits, and Eden is called up to fill the role. The cast of Liz and Darcy: The Musical has just settled into a three-week run in Washington, DC, and Broadway royalty Brennon Thorne is set to play Darcy. Despite Brennon's reputation as being 'a dream to work with,' Eden's first impression of him is more like a nightmare. Now, she'll have to kiss the pompous jerk eight shows per week. Brennon can't disguise his disdain for understudies like Eden. But New York is filled with reminders of his most recent failed relationship, and this American tour is a much-needed distraction from his loneliness. As Eden and Brennon take the stage playing Jane Austen's most memorable characters, their reality begins to mirror Elizabeth and Darcy's explosive chemistry and all. Together, they power through press performances and curtain calls, even as rumors of Brennon's checkered romantic past resurface and prove to Eden that he can't be trusted. But with each choreographed stage kiss, Eden and Brennon's passion for the stage-and each other-ignites. Maybe, just maybe, not all rumors are to be believed and not all showmances are doomed to fai

  • - A Critical Genealogy of Queer Performance
    av Amelia Jones
    540 - 2 090,-

  • - A History and Theory of Identification and the Visual Arts
    av Amelia Jones
    540 - 1 830,-

  • - Technology, Representation, and the Contemporary Subject
    av Amelia Jones
    490,99 - 2 010,-

    Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this book explores how technology has affected artist's abilities and forms to express themselves. It makes a companion to studies of contemporary art history, and media and cultural studies in the post-1960 period.

  • av Amelia Jones
    606,-

    Ron Athey is one of the most important, prolific and influential performance artists of the past four decades. Queer Communion, an exploration of Athey's career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey's performative practice and each community he engages.

  • av Amelia Jones
    250,-

  • - You Think So, Wouldn't You?
    av Amelia Jones, Matthew Shaul & Lesley Farrell
    110,-

    Explores the gap between an individual's perception of their identity and the perceptions of others. This monograph uses video, painting and photography, and places stereotypes alongside the subject of those stereotypes, to examine issues of identity, racism and belonging. It presents a multi-faceted view of the individuals concerned.

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