Böcker av Amy Allen

While post- and decolonial theorists have thoroughly debunked the idea of historical progress as a Eurocentric, imperialist, and neocolonialist fallacy, many of the most prominent contemporary thinkers associated with the Frankfurt School-Jurgen Habermas, Axel Honneth, and Rainer Forst-have defended ideas of progress, development, and modernity and have even made such ideas central to their normative claims. Can the Frankfurt School's goal of radical social change survive this critique? And what would a decolonized critical theory look like?Amy Allen fractures critical theory from within by dispensing with its progressive reading of history while retaining its notion of progress as a political imperative, so eloquently defended by Adorno. Critical theory, according to Allen, is the best resource we have for achieving emancipatory social goals. In reimagining a decolonized critical theory after the end of progress, she rescues it from oblivion and gives it a future.

Through interactions with and the examination of the natural world, poems in Mountain Offerings move from a youthful voice to a more experienced one, showing a coming-of-age in partnership, parenthood, loss, and the development of independence and self-awareness. The simplicity, beauty, and peace of the outdoors provides an ideal vehicle through which this poet explores complex human emotions. In "January in Vermont," Allen writes: The stars always shine brightest on the coldest of days,a reward just for making it. Mountain Offerings is accessible, honest, poignant, and-rooted in nature and the natural world-earthly.

A collection of essays introducing and assessing the work of political theorist Wendy Brown. Includes an original essay by Brown and a reply to her critics.

For the woman more accustomed to singing Missoni's praises than singing lullabies comes Amy Allen's irresistible This Little Piggy Went to Prada: Nursery Rhymes for the Blahnik Brigade. Filled from cover to cover with sumptuous full color illustrations by Eun-Kyung Kung, This Little Piggy Went to Prada presents classic nursery rhymes with a thoroughly modern and charmingly ironic spin that will make the most sleepless fashionista mom smile, even when she's knee-deep in diapers.

Does critical theory still need psychoanalysis? Amy Allen offers a cogent and convincing defense of its ongoing relevance. She draws on Freud, Klein, and Lacan to develop a more realistic strand of psychoanalytic thinking that centers on notions of loss, negativity, ambivalence, and mourning.

Some critical theorists understand the self as constituted by power relations, while others insist upon the self's autonomous capacities for critical reflection and deliberate self-transformation. Up to now, it has all too often been assumed that these two understandings of the self are incompatible. In her bold new book, Amy Allen argues that the capacity for autonomy is rooted in the very power relations that constitute the self. Allen's theoretical framework illuminates both aspects of what she calls, following Foucault, the "e;politics of our selves."e; It analyzes power in all its depth and complexity, including the complicated phenomenon of subjection, without giving up on the ideal of autonomy. Drawing on original and critical readings of a diverse group of theorists, including Michel Foucault, Jurgen Habermas, Judith Butler, and Seyla Benhabib, Allen shows how the self can be both constituted by power and capable of an autonomous self-constitution. Her argument is a significant and vital contribution to feminist theory and to critical social theory, both of which have long grappled with the relationship between power and agency.If critical theory is to be truly critical, Allen argues, it will have to pay greater attention to the phenomenon of subjection, and will have to think through the challenges that the notion of subjection poses for the critical-theoretical conception of autonomy. In particular, Allen discusses in detail how the normative aspirations of Habermasian critical theory need to be recast in light of Foucault's and Butler's account of subjection. This book is original both in its attempt to think of power and autonomy simultaneously and in its effort to bring the work of Foucault and Habermas into a productive dialogue.

Draws on the work of a diverse group of theorists in order to illustrate and construct a new feminist conception of power.