Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception.
The volume connects clinical and epidemiological studies on the sequelae of social trauma to reflections from social psychology and the humanities. Post-war and post-dictatorial societies are in particular marked by the effects of massive, large group traumatization.
Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception.
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