Böcker av Andrew Brenza

Welcome to Black Sheep: Unique Tales of Terror and Wonder, an extraordinary anthology magazine that transcends the boundaries of science-fiction, fantasy, and horror. Prepare to embark on a thrilling journey through the darkest corners of the human imagination, where the ordinary becomes extraordinary, and the mundane transforms into a realm of unspeakable terror and awe-inspiring wonder. Within these pages, you'll discover a collection of captivating stories carefully curated to transport you to realms beyond the mundane. Each issue presents an array of unique tales crafted by talented visionaries, both established and emerging, who dare to defy conventions and push the boundaries of speculative fiction. Whether you're a seasoned lover of the fantastic or just curious to explore new frontiers, Black Sheep: Unique Tales of Terror and Wonder will be your guide through the realms of the extraordinary. Prepare to be enthralled, enchanted, haunted. So put on your dark sunglasses ... and unleash your inner Black Sheep. In this issue: SHADOW AND SONGAndrew Brenza DOCTOR WEGMAN'S MIRACLE MISTChristian Green DUST TO DUSTAnthony Ferguson ERROR_CODE: 1072J. Paul Ross THE DEVIL DRIVES A '66Wayne Kyle Spitzer POND MOUTHKeith LaFountaine TAKE IT AWAYRyan Honaker CECIL, THE DEMON, AND THE TREEMichael Schulman TO TAKE WHAT IS BESTPaul Cesarini

Glitched collabs from Andrew Brenza and Kristine Snodgrass find a neon outlet in the merging of vispo and digital alteration. This striking book features color-saturated work that enlivens the structural bombast inherent in Brenza and Snodgrass's stark visual poetry. What is glitched is not superceded nor muted, rather transformed in a true collaborative spirit.

Andrew Brenza's Spool is a reckoning of our diminished natural world through the register of a disjointed, smeared, and unraveling poetics. Consisting of a series of breathless lyrical and concrete poems, Spool strives to represent both nature's beauty as well as the tragedy of its destruction, a destruction which is, ultimately, the destruction of ourselves. But the book does not descend entirely into despair, for the author's novel approaches to poetic expression suggest an alternative way that humanity might imagine its place in the world, a way that fundamentally incorporates and enacts humanity's vital connection to nature. It is through this alternative poetics that Brenza offers hope, albeit a difficult one, since it asks us not just to change the way we think about nature, but the way we think about and within language itself.