Böcker av Andrew Smith

Ryan Dean West is a fourteen-year-old boy at a boarding school for rich kids. He's living in Opportunity Hall, the dorm for troublemakers, and rooming with the biggest bully on the rugby team. And he's madly in love with his best friend Annie, who thinks of him as a little boy.With the help of his sense of humour, rugby buddies, and his penchant for doodling comics, Ryan Dean manages to survive life's complications and even find some happiness along the way. But when the unthinkable happens, he has to figure out how to hold on to what's important, even when it feels like everything has fallen apart.Filled with hand-drawn illustrations and told in a pitch-perfect voice, this realistic depiction of a teen's experience strikes an exceptional balance of hilarious and heartbreaking.- Publishers Weekly Best Books of 2013- Amazon's Top 20 YA Books of 2013- Publishers Weekly Top 10 Summer Reads of 2013- ALA/YALSA nominee for "e;Best Fiction for Young Adults 2014"e;- 2014 Rainbow List NomineeAndrew Smith knew ever since his days as editor of his high school newspaper that he wanted to be a writer. After graduating college, he experimented with journalistic careers - writing for newspapers and radio stations - but found it wasn't the kind of writing he'd dreamed about doing.Andrew Smith has always wanted to be a writer. After graduating college, he wrote for newspapers and radio stations, but found it wasn't the kind of writing he'd dreamed about doing. Born with an impulse to travel, Smith, the son of an immigrant, bounced around the world and from job to job, before settling down in Southern California. There, he got his first 'real job', as a teacher in an alternative educational program for at-risk teens, married, and moved to a rural mountain location where he lives with his wife, two children, two horses, three dogs, three cats and one irritable lizard named Leo.

New edition of bestselling introductory text outlining the history and ways of reading Gothic literature.This revised edition includes: A new chapter on Contemporary Gothic which explores the Gothic of the early twentieth century and looks at new critical developments An updated Bibliography of critical sources and a revised Chronology The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.

The ghost story 1840-1920: A cultural history examines the British ghost story within the political contexts of the long nineteenth century. By relating the ghost story to economic, national, colonial and gendered contexts' it provides a critical re-evaluation of the period. The conjuring of a political discourse of spectrality during the nineteenth century enables a culturally sensitive reconsideration of the work of writers including Dickens, Collins, Charlotte Riddell, Vernon Lee, May Sinclair, Kipling, Le Fanu, Henry James and M.R. James. Additionally, a chapter on the interpretation of spirit messages reveals how issues relating to textual analysis were implicated within a language of the spectral. This book is the first full-length study of the British ghost story in over 30 years and it will be of interest to academics, graduate students and advanced undergraduates working on the Gothic, literary studies, historical studies, critical theory and cultural studies.

Deals with Plotinus' development of the Platonic Forms, and includes an assessment of Porphyry's contribution to the Platonic tradition. This title embraces a number of issues that have become particularly prominent in the growth of interest in these philosophers of late antiquity.

Stoker is best remembered today as the author of Dracula . Following an Introduction that analyses how Stoker's writings have been critically received in the twentieth century, the book addresses not merely Dracula but also the author's other writings through historicism, psychology and genre.

"Philosophy in Late Antiquity" provides an essential new introduction to the key ideas of the Neoplatonists, which affected approaches to Plato as late as the 19th century.