Böcker av Andrew Watts

The Napoleonic Wars (1803-1815) changed Britain and the West Midlands for ever. For some people this was a time of great prosperity while others were driven into poverty. Fortunes of War explores the stories of people from the region during this important time.

In the context of tight budgets, complex geometries, high energy efficiency, and flexible user functions mean that the requirements for technical details, and their execution in modern buildings, are very exacting.

This book uses six canonical novelists and their recreations in a variety of media to argue a reconceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but as works fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses reworkings of key nineteenth-century texts across time and media in order to emphasise the way in which such reworkings cast new light on many of their source texts, and how they reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Adapting Nineteenth-Century France charts such revision through a range of genres encompassing the modern media of radio, silent film, fiction, musical theatre, sound film and television.ContentsIntroduction, Kate GriffithsI Labyrinths of Voices: Emile Zola, Germinal and Radio, Kate GriffithsII Diamond Thieves and Gold Diggers: Balzac, Silent Cinema and the Spoils of Adaptation, Andrew WattsIII Fragmented Fictions: Time, Textual Memory and the (Re)Writing of Madame Bovary, Andrew WattsIV Les Miserables, Theatre and the Anxiety of Excess, Andrew WattsV Chez Maupassant: The (In)Visible Space of Television Adaptation, Kate GriffithsVI Le Tour du monde en quatre-vingts jours: Verne, Todd, Coraci and the Spectropoetics of Adaptation, Kate GriffithsConclusion, Andrew Watts

The second edition of Modern Construction Envelopes was originally based on the two books by Andrew Watts, Modern Construction Roofs and Modern Construction Facades . Both volumes were gathered into one single volume and consolidated in terms of content, which permits the consideration of facades and roofs as envelopes. Using current examples by renowned architects, Watts presents the constructive and material-related details. This presentation is based on a text, photos, and standardized detail drawings, as well as 3D representations of the components. The new edition has 3D views that are easier to understand than the first edition, with sharper images and more key explanations.

Though famed for his vivid depictions of nineteenth-century Paris, Honoré de Balzac devoted as much of his creative energy to the provinces. This book examines the way in which he combined a theatrical tradition of anti-provincial satire with a more open celebration of French provincial life in the post-Revolutionary period. Ranging widely over texts from both within and outside La Comédie humaine, the author analyses Balzac¿s determination to invest the Rousseauist nostalgia for country over city with an updated rationale. A champion of central authority and absolutist government, Balzac is seen here in an unfamiliar role as the guardian of regional culture, a novelist who sought to record the diversity of France¿s small towns and villages before they were lost to industrialization and the railway age. Equally, the study reveals new aspects of his political engagement with questions impacting upon the provinces during the Restoration and July Monarchy, from broad issues such as agriculture and landownership, to more isolated grievances such as the implications of the 1827 Forest Code. The whole offers a fresh insight into Balzac¿s thought and literary aesthetic, and an assessment of his hitherto-neglected role in supporting the emergence of the regionalist novel, or roman du terroir, in the second half of the nineteenth century.