Böcker av Ann Radcliffe

This was the most popular novel of Radcliffe's time and Radcliffe's portrayal of her heroine's inner life raised the Gothic romance to a new level. The atmosphere of fear and the gripping plot continue to thrill today. This is the story of the orphaned Emily St Aubert who finds herself separated from the man she loves and confined within the Castle of Udolpho by her aunt's new husband, Montoni. Here she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors which threaten to overwhelm her.

First published in 1797, The Italian, with its archetypal villain Schedoni, its intense romance and its sublime depiction of landscape, is the masterpiece of Gothic fiction.

Un roman gothique racontant l'histoire d'Emilie, une noble jeune fille qui doit affronter des événements surnaturels alors qu'elle séjourne dans une vieille abbaye isolée. Le roman est plein de mystère, d'horreur et de drame, un roman qui plaira aux amateurs de suspense et de frayeurs.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

C'est un roman gothique du 18ème siècle qui suit les aventures de Julia, une jeune femme qui doit surmonter divers obstacles pour défendre son honneur et trouver le bonheur. Le livre explore des thèmes tels que la vertu, la trahison et la vengeance.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A timeless gothic romance of mystery, danger, and suspense. This horror classic examines the tensions between hedonism and honour through Ann Radcliffe's masterfully atmospheric prose.First published in 1791, this captivating novel is set against the background of the isolated French countryside while the shadow of the country's ongoing revolution looms. When virtuous Adeline is forced to seek refuge in the depths of the forest with Monsieur Pierre de la Motte, his wife, and his two servants, the group find themselves hiding in the ruins of an abandoned abbey. Soon, they suspect they might not be alone as storms shroud the sky and entangled tales of forbidden love and law evasion echo through the eerie halls.This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. With its vivid descriptions, atmospheric settings, and compelling characters, The Romance of the Forest exemplifies why Radcliffe remains a prolific influence in the gothic genre.

L'avarizia della zia d'Emilia cedè finalmente alla sua vanità. Qualche splendido pranzo dato dalla Clairval, e l'adulazione generale ond'essa era l'oggetto, aumentarono la premura della Cheron per assicurare una parentela che l'avrebbe tanto illustrata a' propri occhi ed a quelli del mondo. Propose il prossimo matrimonio di Emilia, ed offrì di assicurarne la dote, purchè la Clairval facesse altrettanto pel nipote. Questa ponderò la proposta, e considerando ch'Emilia era la più prossima erede della Cheron, l'accettò senza difficoltà. Emilia ignorava queste disposizioni, quando la zia l'avvertì di prepararsi alle nozze che dovevano aver luogo senza indugio. La fanciulla, sorpresa, non capiv...

At the church of San Lorenzo in Naples, a young nobleman falls in love with the lovely orphan Ellena di Rosalba. When Vincentio di Vivaldi informs his mother, the Marchesa, of his romantic intentions, she forbids him from marrying the girl, enlisting the mysterious Father Schedoni to bend her son¿s will. The Italian is a novel by Ann Radcliffe.

"The first poetess of romantic fiction."-Sir Walter Scott""Mrs. Radcliffe is a mistress of hints, suggestions, minute details, breathless pauses, and the hush of suspense." -The New York Times"Compared to Udolpho, Montoni's mountain hideaway, Castle Dracula is a country day school." -Barbara WalkerAnn Radcliff's Mysteries of Udolpho, one of the most famous English gothic novels ever published, was a significant influence on later authors including Mary Shelley, Edgar Allen Poe, and Jane Austen. In combining the supernatural elements of the gothic genre with a deep sensitivity of emotion, this work reveals the height of Radcliffe's powers as a writer. Living a picturesque life in rural Late-16th Century France, Emily St. Aubert, the novel's beautiful and sensitive protagonist becomes an orphan when both of her parents die. Adopted by her unaffectionate aunt Madame Cheron, Emily is ultimately imprisoned by Cheron and her cruel husband, the Italian nobleman Signor Montoni. The natural beauty of her life as a young girl in France is contrasted with the seclusion in the eponymous castle where Montoni's controlling manipulations spin her life into a state of unknowable terror. The hair-raising and strange events that occur within the confines of the dreadful fortress are among the most bone-chilling in all of literature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Mysteries of Udolpho is both modern and readable.

With an Introduction by Kathryn White.'He saw her wounded, and bleeding to death; saw her ashy countenance, and her wasting eyes turned piteously on himself, as if imploring him to save her from the fate that was dragging her to the grave'Ann Radcliffe, author of The Romance of the Forest and The Mysteries of Udolpho, is the high priestess of the gothic novel. In The Italian, first published in 1797, she creates a chilling, atmospheric concoction of thwarted lovers, ruined abbeys, imprisonment and dark passages, with an undercurrent of seething sexuality and presents us with a cunning villain in the sinister monk Schedoni. A contemporary review commented on, 'Radcliffe's uncommon talent for exhibiting, with picturesque touches of genius, the vague and horrid shapes which imagination bodies forth'Radcliffe's work was hugely influential and H.P. Lovecraft, early twentieth century master of the uncanny, was impressed by the, 'eerie touch of setting and action contributing artistically to the impression of illimitable frightfulness which she wished to convey.' The novel remains a fascinating, engrossing and unnerving masterpiece of gothic fiction.

From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.

In 1758 in the church of San Lorenzo in Naples where Vincentio di Vivaldi sees the beautiful Ellena di Rosalba with her aunt, Signora Bianchi. Vivaldi is struck with her beauty, and intends to court her, with the hopes that they will end up married. When Vivaldi's mother, the proud Marchesa, hears about his love for a poor orphan, she appeals to her ambitious and cunning confessor, Father Schedoni, to prevent the marriage, with a promise that she will help him obtain promotion in his order.