This book examines the iconic figurations, aesthetic styles and visual tactics in which visual art and visual popular culture attempt to appeal to "all of us," with interdisciplinary contributions from the fields of art history, film and media studies, philosophy, anthropology, and political theory.
The Cinema Makers investigates how cinema spectators in southeastern and central European cities became cinema makers. Drawing on interviews with cinema activists in Germany, Austria and the former Yugoslavia, Anna Schober illuminates the differences and similarities in the development of political culture and cinema's role in that development.
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