The Nazi regime imagined film as a powerful tool to shape National Socialist subjects. Tracing discourses around film production and film consumption in the city of Hamburg, On Screen and Off illustrates how Nazi ideology was envisaged, imagined, experienced, and occasionally even fought over.
The book will appeal to scholars and students of history, education, and sociology, particularly those with an interest in the workings of the capitalist state as well as the history of education.
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