Pablo Picassos modest yet revolutionary cardboard and sheet metal Guitar sculptures (1912 and 1914, respectively) bracket an incandescent period of structural, spatial and material experimentation for the artist. This essay incorporates photographs, correspondence, archival records and accounts, providing insights into Picassos practice.
A dancer, designer, puppet maker, sculptor and painter at the heart of the Zurich Dada movement, Taeuber-Arp made Head in the wake of World War I, during a time of profound political and cultural self-questioning. Almost a century later, her witty wooden figure has lost none of its punch as an investigation of art across aesthetic and material boundaries rather than within them.
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