The Virgin Mary rises up like a giant Tower of Babel in a close-up view, separated from us by a slender railing along which runs the painter's signature. The Virgin appears to be sitting on a marble slab, slightly raised, and her right shoulder is thrust forward to show us her nude son.
Titian is acknowledged as the greatest of the sixteenth-century Venetian painters. The author's carefully chosen comparisons of paintings, prints, drawings and details of works by the young Titian, Durer and their contemporaries suggest that Titian was as innovative and as influential in his unique view of nature as he was in portraiture.
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