Böcker av Antony Eastmond

Essays exploring the influence of the sacred buildings of Jerusalem on architecture worldwide.Jerusalem - earthly and heavenly, past, present and future - has always informed the Christian imagination: it is the intersection of the divine and human worlds, of time and eternity. Since the fourth century, it has been the site of the round Church of the Holy Sepulchre, built over the empty tomb acknowledged by Constantine as the tomb of Christ. Nearly four hundred years later, the Sepulchre's rotunda was rivalled by the octagon of the Dome of the Rock. The city itself and these two glorious buildings within it remain, to this day, the focus of pilgrimage and of intense devotion. Jerusalem and its numinous buildings have been distinctively re-imagined and re-presented in the design, topography, decoration and dedications of some very striking and beautiful churches and cities in Western Europe, Russia, the Caucasus and Ethiopia. Some are famous, others are in the West almost unknown. The essays Inthis richly illustrated book combine to do justice to these evocative buildings' architecture, roles and history. The volume begins with an introduction to the Sepulchre itself, from its construction under Constantine to theCrusaders' rebuilding which survives to this day. Chapters follow on the Dome of the Rock and on the later depiction and signifcance of the Jewish Temple. The essays then move further afeld, uncovering the links between Jerusalemand Byzantium, the Caucasus, Russia and Ethiopia. Northern Europe comes finally into focus, with chapters on Charlemagne's chapel at Aachen, the role of the military orders in spreading the form of the Sepulchre, a gazetteer of English rounds, and studies of London's New Temple. ROBIN GRIFFITH-JONES is Master of the Temple at the Temple Church in London and Senior Lecturer (Theology and Religious Studies) at King's College London. He co-edited The Temple Church in London with David Park (2010). ERIC FERNIE is Director Emeritus of The Courtauld Institute of Art, London. Contributors: Alan Borg, Antony Eastmond, David Ekserdjian, Eric Fernie, Jaroslav Folda, Emmanuel Fritsch, Michael Gervers, Robin Griffith-Jones, Nicole Hamonic, Cecily Hennessy, Robert Hillenbrand, Catherine E. Hundley, Philip J. Lankester, Robin Milner-Gulland, Robert Ousterhout, David W. Phillipson, Denys Pringle, Sebastian Salvado.

This text examines the development of royal imagery in Georgia between the 9th and 13th centuries, particularly focusing on the five surviving images of Queen Tamar. The author shows how the portraits demonstrate the relationship between art and power, and the transmission of ideas to an audience.

A celebration of the finest 300 works of Byzantine art.