Most critical writings on horror films conceptualise woman as victim. Creed challenges this view with a feminist psychoanalytic critique, discussing films such as Alien, I Spit on Your Grave and Psycho.
Exploring the history of the South Pacific traffic in human bodies from the 18th to the 21st century, this work exposes myths surrounding the trade in heads, cannibalism, captive white women, the display of indigenous people in fairs and circuses, the stolen generations and others.
Addresses the major gap in film scholarship - the influence of Charles Darwin's theories on the history of the cinema. This title argues that Darwinian ideas influenced the evolution of early film genres such as horror, the detective film, science fiction, film noir and the musical.
The horror film has always been populated by male monsters, many of which do carry out monstrous acts of violation, rape and castration. The horror film is also filled with male monsters who grow fur, change shape, bleed and give birth. What is it that defines male monstrosity? How does the male monster differ from the female monster?
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