This book examines how one aspect of the social and technological situation of literature-namely, the postal system as a mode of transmission-determined how literature was produced and what was produced within literature.
This volume designates a shift within posthumanistic media studies, that dissolves the concept of media into a network of operations, that reproduce, process and reflect the distinctions that are fundamental for a given culture, e.g. the anthropological difference, the distinctions between natural object and cultural sign, noise and information, eye and gaze.
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