Böcker av Bill Griffiths

Pitmatic brings together a wonderful regional pit language - its words, jokes, stories and songs that are fast disappearing from our culture. This book helps attest to the remarkable vitality of the North East of England's dialect and the inventiveness and humour of its speakers.

"Abackabeyont, bait-poke, drucken, fettle, guissie pigs, marra, nyen, plote, queen-cat, yem, zookers!" If you enjoy finding out about dialect words - how and where and when they were used - and where they came from - this is the best guide to help you explore the world of North East dialect. This is the seminal dictionary of North East dialect.

Reality Street published Bill Griffiths'' Collected Earlier Poems (1966-80) in 2010. This successor volume collects work from the following decade, bringing back into print poetry that appeared in hard-to-obtain small editions or was previously uncollected or unpublished.Bill Griffiths was a poet, Anglo-Saxon scholar, book designer, small press publisher, biker, pianist, archivist and social historian. He died in 2007 at the age of 59.

This volume brings together for the first time the late Bill Griffiths'' poetry up until 1980. The text, edited by Alan Halsey in consultation with Ken Edwards of Reality Street, includes the full "Cycles" and "War w/ Windsor" sequences that so astonished readers when they first appeared, as well as much other poetry that was published by his own Pirate Press imprint, Writers Forum and other small presses during the 1970s; and also poems and performance texts that have only made fleeting appearances in ephemeral pamphlets and magazines, or have never been published before. Bill Griffiths was a poet, Anglo-Saxon scholar, book designer, small press publisher, biker, pianist, archivist and social historian. He died in 2007 at the age of 59.

This book draws together a major selection of poems from 1984-2004. Including works on London, sport, boats, cartoons, food, the classics, the mystical, history, crime, and the North. A taut, rhythmic verse, with respect for word-sound and a cheering disregard for consensus on history, language and 'poetry'.