WHEN I WAS BOTH by Caridad Svich. Jenna loses her job at university after 20-odd years in the field. This action, out of her control, sends her on a journey, where she will discover more about herself than she might have ever known. As her circle of friends tries to support and challenge her, Jenna finds a new path - one that becomes an investigation into memory and being - a map of the self. A play about Western society's "invisible women" living within the structures of late capitalism.
Caridad Svich examines the exhilarating Hedwig and the Angry Inch through the lenses of visual and vocal rock `n¿ roll performance, the history of the American musical, and its positioning within LGBTIQ-plus theatre.
This book presents four plays by Caridad Svich that explore the rough waters of citizenship under the pressure of globalization and the threads of human connection across multiple geographic landscapes. Featuring essays by practitioners such as Zac Kline, this book refuses to pretend that the complex questions of existence are easily settled.
EARLY PLAYS: VOLUME ONE: four early works from playwright-poet Caridad Svich that offer tantalizing glimpses into the seeds of her future writing. This collection contains two solo performance texts SCAR and TORCH, and two chamber plays NIGHTWOOD and CARNIVAL. Caridad Svich is a playwright, translator, lyricist and editor. She received the 2012 OBIE for Lifetime Achievement and has written over 40 plays, 30 translations and has edited several books on theatre and performance.
THE SPANISH GOLDEN AGE PLAYS collects three playful, spirited, go-for-broke adaptation/translations by US Latina dramatist Caridad Svich of comedies by Maria Zayas de Sotomayor, Lope de Vega, and Calderon de la Barca. These three plays - A LITTLE BETRAYAL AMONG FRIENDS, THE LABYRINTH OF DESIRE and THE MONSTER IN THE GARDEN - play fast and loose with issues of gender, sexuality, and identity and shed new light on works from Spain''s golden age of drama.
The three plays by OBIE-winning playwright Caridad Svich examine varying aspects of art and decadence through the lens of contemporary visual art, photography, painting, and fashion. MAGNIFICENT WASTE (2012 finalist for PEN Center USA Literary Award in Drama), LULU ASCENDING (a play on Wedekind's Lulu plays) and TILT HEAVEN are acid-dipped views of celebrity culture and consumerism, suffused with a hard ache for the lost souls that inhabit their distinct harsh-lit, emptied worlds of sadness.
24 GUN CONTROL PLAYS brings together new work in support of gun control from playwrights Neil LaBute, Elaine Avila, Kyle Bostian, Neil Blackadder, Alex Broun, Gab Cody, Tameka Cage Conley, Cecilia Copeland, Yvette Heyliger, Amina Henry, Zac Kline, Jennifer Maisel, Lynn Manning, Oliver Mayer, Chiori Miyagawa, Matthew Paul Olmos, Ian Rowlands, Tammy Ryan, August Schulenburg, Saviana Stanescu, Caridad Svich, Chris Weikel, Winter Miller, Gary Winter, and Laura Zam. The volume features an essay by Tammy Ryan and a reflection and interview by DW Gregory. Selected works in this volume were presented in collaboration with NoPassport, Theater J and force/collision in Washington D.C. on January 26, 2013, and with Pittsburgh PACT to coincide with the March on Washington for Gun Control led by Molly Smith and Suzanne Blue Star Boy. These dynamic works for theatre are a rousing call to action.
A meditation on responsibility and parenthood that asks an audience not only to suffer the unthinkable loss of a child as the author's characters do, but also to laugh at the couple's flaws and at the hilarity of the suburban life they lead.
JARMAN (all this maddening beauty) and Other Plays is a collection of three radically poetic works for live performance by OBIE Award-winning playwright Caridad Svich. The playtexts includes a lyrical meditation on the legacy of iconic queer artist Derek Jarman, a meditation on displacement and human suffering (Carthage/Cartagena) and an intimately operatic reflection on Penelope and Odysseus (The Orphan Sea). Accompanied by scholarly essays placing the plays in context, this book showcases the beautiful strangeness and profound resistance in Svich's work.'Svich is one of the finest poet/playwrights of this generation. . . . She is a playwright whose plays perform like dramatic poems that are wondrous to the ear and moving to the heart.' - Seth Gordon, Repertory Theatre of St. Louis
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