Through an analysis of films such as American Beauty, Blade Runner, Natural Born Killers, and Thelma and Louise, Carl Boggs and Thomas Pollard explore the historical and theoretical shift from the long era of modernity to an emergent postmodernity and examine its intersection with film culture.
This book explores the rise of a new militarism in America since the end of the Cold War. Carl Boggs deftly shows how the culture of militarism is transforming American society and foreign policy, leading Americans to dominate the world without examining the consequences.
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