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Böcker av Carl Dahlhaus

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  • av Carl Dahlhaus
    376,-

    Dahlhaus examines a single music-aesthetical idea from various historical and philosophical viewpoints.

  • av Carl Dahlhaus
    596,-

    Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. The notes are revised here for the English-speaking reader.

  • av Carl Dahlhaus
    620,-

    Previous studies of Wagner's operas have tended to approach the works as chunks of autobiography, philosophical speculations or historical-political comments on the age in which they were written. Professor Dahlhaus dissociated himself from all such ventures.

  • - Four Studies in the Music of the Later Nineteenth Century
    av Carl Dahlhaus
    330,-

    Treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine; the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms' and Wagner's responses to the central musical problems of their time; and, the true significance of musical nationalism.

  • av Carl Dahlhaus
    340,-

    Combining a historical and systematic approach, Carl Dahlhaus provides an account of developments in the aesthetics of music from the mid-eighteenth century onwards. Central themes in music are grouped together to illustrate both the historical course of events and a systematic unity of the essential elements in the aesthetics of music.

  • - Essays by Carl Dahlhaus
    av Carl Dahlhaus
    450,-

    This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg.

  • av Carl Dahlhaus
    340,-

    This book is the first thoroughgoing study in any language of the philosophy of music history. Drawing on competing philosophies of history throughout the ages, from the Enlightenment to the French structuralists, from the German idealist tradition to Russian formalism, the late Carl Dahlhaus applies the thoughts of these various schools to the specialist requirements of music history and assesses their advantages and shortcomings. Special attention is given to an appraisal of whether Marxist critiques are still viable and where they stand in need of rethinking. For this English edition, the author provided an extensive annotated bibliography.

  • av Carl Dahlhaus
    436,-

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