Synthesizing detailed film criticism with thorough political and historical analysis, examines the Oliver Stone films JFK, Nixon and W. that transmute these presidencies into works of historical fiction. Wide-ranging, accessible and highly original, this book will fascinate everyone interested in the intersection of American politics and cinema.
By establishing the category of crime - by drawing a line between the lawful and criminal, however thin, blurry, or even effectively meaningless the line may in practice become - society offers its own perhaps most consequential self-definition. Film, the author argues is an especially fruitful medium for considering questions like these.
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