Böcker av Carlo Ginzburg

In the best micro-historical tradition, Carlo Ginzburg, himself one of the founders and icons of this genre of historiography, dissects four moments of European intellectual history. This book relives the experience that participants in the Natalie Zemon Davis Lecture Series at the Budapest campus of Central European University had in 2019 listening to Ginzburg's eloquent and engaging discourses. For the purposes of this volume he has re-edited and completed the leporello of cases charged with the inherent ambiguity between secularism and religions.Secularism is often identified with rejection or at least distancing from the sacred. However, if one assumes that secularism also appropriates and reworks the sacred, its ambiguities come to the fore. The dilemma accompanies the reception of La Boétie's Servitude volontaire between 1574 and today. Before Walter Benjamin, the lesser-known 19th-century Léon de Laborde defended the profanity of reproducing the arts. The tension around the secular pervades the case of the College de Sociologie (Paris, 1937-1939), an attempt to analyze the ideological components of fascism. The fourth lecture approaches a much-discussed contemporary phenomenon - fake news - from a long-term perspective. To what extent are some disturbing features of the world we live in the result of a long, tortuous, unpredictable trajectory?

A collection of diverse yet interconnected essays from one of the world's most respected historians. Carlo Ginzburg has been at the forefront of the discipline of microhistory ever since his earliest works were published to great acclaim in the 1970s. The Soul of Brutes brings together four of Ginzburg's recent scintillating essays and lectures that testify to the diversity of his thoughts on history and philosophy. "Civilization and Barbarism" resurrects a sixteenth-century debate between two thinkers in Spain about the humanness, or lack thereof, of Native Americans, and highlights the influence of classical thinkers, from Herodotus to Aristotle, and the iterations and interpretations through which their writings have traversed down to the Cinquecento. In "The Soul of Brutes" Ginzburg traces the genealogy of the debate on the rationality of animals and the limits of their imagination, from Plutarch and Aristotle to sixteenth-century thinkers like Pietro Pomponazzi and Girolamo Rorario. Following Montaigne, he provokes, are we to beasts as they seem to us? In "Calvino, Manzoni and the Grey Zone," Carlo Ginzburg pithily writes about the mental dialogue between Holocaust survivor Primo Levi and two Italians who profoundly influenced Levi's search for these "unexplored pockets of exception"--his contemporary Italo Calvino and the nineteenth-century novelist and philosopher Alessandro Manzoni. And finally, in "Schema and Bias", he probes whether the historian can clearly see into the past, peering through the layers of bias, which include their own prejudices, or if relativism is the only path. With several beautifully reproduced color illustrations, The Soul of Brutes will interest not only scholars of history, philosophy, and art, but also general intellectual readers.

Carlo Ginzburg's brilliant and timely new essay collection takes a bold stand against naive positivism and allegedly sophisticated neo-skepticism. It looks deeply into questions raised by decades of post-structuralism: What constitutes historical truth? How do we draw a boundary between truth and fiction? What is the relationship between history and memory? How do we grapple with the historical conventions that inform, in different ways, all written documents? In his answers, Ginzburg peels away layers of subsequent readings and interpretations that envelop every text to make a larger argument about history and fiction. Interwoven with compelling autobiographical references, Threads and Traces bears moving witness to Ginzburg's life as a European Jew, the abiding strength of his scholarship, and his deep engagement with the historian's craft.

Preface and third chapter translated from the Italian by Anne C. Tedeschi and John Tedeschi.

A world-renowned historian presents a series of four brilliant forays into English literature, from Sir Thomas More to Robert Louis Stevenson.