This books looks at Antony and Cleopatra in performance from 1606 to 2018, examining how actors, directors and designers pick up the play's themes of desire and delinquency, exoticism and erotic politics to locate the most ambituous love story ever told in a new present. Is the play tragedy? Comedy? Farce? Rutter shows it's all three. -- .
One of the most provocative writers on women's performances of Shakespeare on stage and film in Britain today, Rutter speculates on how the theatre 'plays' women's bodies and how audiences read them.
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