Examining the work of well-known American artists such as James Abbott McNeill Whistler, Frederic Remington, and Mary Cassatt, Charles Colbert demonstrates that Spiritualism played a critical role in the reception of art and the development of modern ways of seeing it.
Despite its widespread popularity in antebellum America, phrenology has rarely been taken seriously as a cultural phenomenon. Charles Colbert seeks to redress this neglect by demonstrating the important contributions the theory made to artistic developments in the period. He goes on to reveal the links between the tenets of phrenology and the cultural ideals of Jacksonian democracy.
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