Deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art. This book considers works by artists such as Renoir, Degas, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and others, and incorporates elements of cultural criticism and social history into the author's arguments.
* Provides an indispensable companion to Harrison and Wooda s classic volume Art in Theory 1900--1990. * Extends to a startling degree the canon of nineteenth--century art theory. * Offers for the first time English translations of material from foreign sources, comprising a third of the entire volume.
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