Böcker av Chester Himes

A friend and contemporary of Richard Wright and James Baldwin - and every bit their equal - Chester Himes was the acclaimed author of literary novels, stories and essays, as well as the classic crime fiction series for which he is best known, featuring detectives Coffin Ed Johnson and Gravedigger Jones. Himes wrote nine novels in the Harlem Detectives series, and in these four popular, accomplished instalments, his cold, wise-cracking sleuths are thrown into a brutal, murderous world peopled with conniving con men, gut-toting gangsters and opium-smoking preachers. Himes's vision of Harlem's criminal underground, enriched by deft plotting and scintillating dialogue, is both riotous entertainment and penetrating enquiry into the fraught tensions of race in postwar America.

Thrill-seeking white teenager Jimmy Monroe is serving a twenty-year sentence for robbery. The penitentiary is a place where terror and chaos reign, where corrupt guards inflict casual and insidious violence, where men isolated from the outside world must preserve their dignity and find fulfillment through years of boredom and uncertainty. When a fire breaks out, setting hell and mayhem loose, it seems as though Jimmy's entire world is unravelling. But, in the aftermath, as he develops a tender relationship with fellow convict Rico, hope begins to glimmer, and his eventual foray into writing channels the confusion of his experience into something finally resembling redemption.Originally published in 1952, in an expurgated version, as Cast the First Stone, this unsparing, intense yet affirming novel draws on Chester Himes's own life - including his youthful imprisonment, his path to writing and his experience of the devastating Ohio Penitentiary fire in 1930. Yesterday Will Make You Cry faces down the scouring truths of harm and love, and demonstrates the astonishing lyric range of Himes's prose.

Big Joe Pullen is dead and his wake is getting boozy. When the opium-addicted Reverend Short falls out of a window trying to see a thief fleeing the robbed store opposite, his life is saved when he lands in a bread basket, cushioned by the corpse of Valentine Haines. It's up to detectives Grave Digger Jones and Coffin Ed Johnson to find out who stabbed Valentine - though no one at the wake is keen to say much to the police. Shot through with dry, dark humour, this is Chester Himes at his hardboiled noir best.

Alberta Wright drops dead on the street during a sermon by the charismatic con man Sweet Prophet. Her partner rushes home to avoid the cops, only to find her apartment looted by someone looking for her stash of cash. But soon it becomes apparent that there are number of players in the race for Alberta's dough. Coffin Ed Johnson and Grave Digger Jones are called in to investigate, but they know full well the bodies haven't stopped dropping yet.

Bawdy and tough-talking, wickedly funny and wantonly sensual, Blind Man With a Pistol is a surreal joyride through Harlem in a heatwave. Detectives Grave Digger Jones and Coffin Ed Johnson are side-tracked from investigating a series of organised race riots when a white man with a cut throat and no trousers falls dead at their feet. Told in a thrilling chaos of impressions over the course of one day and one night, this case will take Jones and Johnson into the pounding heart of Harlem.

Robert 'Bob' Jones - crew leader, shipyard worker, educated, employed - is finding life impossible. Though he has recently been promoted to supervisor at the Los Angeles shipyard where he works, he is disrespected and resented by white colleagues; and despite his relationship with the high-class Alice, he is crudely baited by white woman Madge. Over the course of four fraught days, he is plagued with increasingly violent urges as the bigotry and cruelty he faces in day-to-day interactions mounts. A masterful reckoning with the poisonous effects of racism and a monumental classic in the protest novel tradition, this 1945 novel is as shattering and trenchant today as it was on first publication.

"In this page-turning installment of the classic Harlem Detectives series, a woman dies at a con man's religious street revival, and her elusive pile of cash vanishes. Alberta Wright drops dead on the street during a sermon by the charismatic con man Sweet Prophet. Her partner rushes home to avoid the cops, only to find her apartment looted by someone looking for her stash of cash. But soon it becomes apparent that there are number of players in the race for Alberta's dough when a furniture salesman who bought much of her belongings is murdered at his shop. Coffin Ed Johnson and Grave Digger Jones are called in to investigate, but they know full well the bodies haven't stopped dropping yet"--

The night's over for Ulysses Galen. It started going bad for the big Greek when a knife was drawn, then there was an axe, then he was being chased and shot at. Now Galen is lying dead in the middle of a Harlem street. But the night's just beginning for detectives Grave Digger Jones and Coffin Ed Johnson. Because they have a smoking gun but it couldn't have killed Galen, and they had a suspect but a gang called the Real Cool Moslems took him. And as patrol cars and search teams descend on the neighbourhood, their case threatens to take a turn for the personal.The Real Cool Killers is loaded with grizzly comedy and with all the raucous, threatening energy of the streets it's set on.

A golden Cadillac big enough to cross the ocean has been seen sailing along the streets of Harlem. A hit-and-run victim's been hit so hard she got embedded in the wall of a convent. A shootout with three heistmen dressed as cops has left an important politician in a coma - and a lot of money missing. And Grave Digger Jones and Coffin Ed Johnson are the ones who have to piece it all together.All Shot Up is chaotic, bloody - and completely unforgettable. Chester Himes wrote detective fiction darker, dirtier and more extreme than anyone else dared.

A preacher called Deke O'Malley's been selling false hope: the promise of a glorious new life in Africa for just $1,000 a family. But when thieves with machine guns steal the proceeds - and send one man's brain matter flying - the con is up. Now Grave Digger Jones and Coffin Ed mean to bring the good people of Harlem back their $87,000, however many corpses they have to climb over to get it.Cotton Comes to Harlem is a non-stop ride, with violence, sex, double-crosses, and the two baddest detectives ever to wear a badge in Harlem.With a new Introduction by Will Self.

Detectives Coffin Ed and Grave Digger Jones have lost two criminals. Pinky ran off - but it shouldn't be hard to track down a giant albino in Harlem. Jake the dwarf drug dealer, though, isn't coming back - he died after Grave Digger punched him in the stomach. And the dwarf's death might cost them both their badges. Unless they can track down the cause of all this mayhem - like the African with his throat slit and the dog the size of a lion with an open head wound.Chester Himes's hardboiled tales of Harlem have a barely contained chaos and a visceral, macabre edge all their own.With a new Introduction by Noel 'Razor' Smith.

Jackson's woman has found him a foolproof way to make money - a technique for turning ten dollar bills into hundreds. But when the scheme somehow fails, Jackson is left broke, wanted by the police and desperately racing to get back both his money and his loving Imabelle.The first of Chester Himes's novels featuring the hardboiled Harlem detectives Coffin Ed Johnson and Grave Digger Jones, A Rage in Harlem has swagger, brutal humour, lurid violence, a hearse loaded with gold and a conman dressed as a Sister of Mercy.With a new Introduction by Luc Sante.

Spanning 40 years and including Himes''s first work, written during his imprisonment in the 1940s, this collection uncovers the internal struggles of black individuals caught between resignation and rage, probing the heart of the African-American experience with wit, indignation, and ruthless honesty.

Published in 1952 as "Cast the First Stone", this is Chester Himes's first autobiographical novel. It is a sardonic tale of an African-American's debasement and transfiguration in an American penitentiary.