Böcker av Christian Wiman

Christian Wiman braids poetry, memoir, and criticism to create an inspired, career-defining work. Few contemporary writers ask the questions about faith, morality, and God that Christian Wiman does, and even fewer-perhaps none-do so with his urgency and eloquence. Wiman, an award-winning poet and the author of My Bright Abyss, lays the motion of his mind on the page in this genre-defying work, an indivisible blend of poetry, criticism, theology, and searing memoir. As Marilynne Robinson wrote, "[Wiman's] poetry and his scholarship have a purifying urgency that is rare in this world . . . [It] enables him to say new things in timeless language, so that the reader's surprise and assent are one and the same."Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own. At its heart and Wiman's, however, are his family-his young children (who ask their own invaluable questions, like "Why are you a poet? I mean why?"), his wife, and those he grew up with in West Texas. Wiman is the rare thinker who takes on the mantle of our greatest mystics and does so with an honest, profound, and contemporary sensibility. Zero at the Bone is a revelation.

A moving meditation on memory, oblivion, and eternity by one of our most celebrated poetsWhat is it we want when we can't stop wanting? And how do we make that hunger productive and vital rather than corrosive and destructive? These are the questions that animate Christian Wiman as he explores the relationships between art and faith, death and fame, heaven and oblivion. Above all, He Held Radical Light is a love letter to poetry, filled with moving, surprising, and sometimes funny encounters with the poets Wiman has known. Seamus Heaney opens a suddenly intimate conversation about faith; Mary Oliver puts half of a dead pigeon in her pocket; A. R. Ammons stands up in front of an audience and refuses to read. He Held Radical Light is as urgent and intense as it is lively and entertaining-a sharp sequel to Wiman's earlier memoir, My Bright Abyss.

A vibrant new collection from one of America's most talented young poetsEvery Riven Thing is Christian Wiman's first collection in seven years, and rarely has a book of poetry so borne the stamp of necessity. Whether in stark, haiku-like descriptions of a cancer ward, surrealistic depictions of a social order coming apart, or fluent, defiant outpourings of praise, Wiman pushes his language and forms until they break open, revealing startling new truths within. The poems are joyful and sorrowful at the same time, abrasive and beautiful, densely physical and credibly mystical. They attest to the human hunger to feel existence, even at its most harrowing, and the power of art to make our most intense experiences not only apprehensible but transfiguring.

Winner of the 11th annual Nicholas Roerich Poetry Prize, "The Long Home" is Christian Wiman's

An intimate first book of personal essays and incisive commentary from the editor of Poetry.

The pioneering new editor of Poetry magazine is "a poet we will reckon with over time."--Kirkus Reviews

A new selection and translation of the work of Osip Mandelstam, perhaps the most important Russian poet of the twentieth centuryPolitical nonconformist Osip Mandelstam's opposition to Stalin's totalitarian government made him a target of the communist state. The public recitation of his 1933 poem known in English as "The Stalin Epigram" led to his arrest, exile, and eventual imprisonment in a Siberian transit camp, where he died, presumably in 1938. Mandelstam's work?much of it written under extreme duress?is an extraordinary testament to the enduring power of art in the face of oppression and terror.Stolen Air spans Mandelstam's entire poetic career, from his early highly formal poems in which he reacted against Russian Symbolism to the poems of anguish and defiant abundance written in exile, when Mandelstam became a truly great poet. Aside from the famous early poems, which have a sharp new vitality in Wiman's versions, Stolen Air includes large selections from The Moscow Notebooks and The Voronezh Notebooks. Going beyond previous translators who did not try to reproduce Mandelstam's music, Christian Wiman has captured in English?for the first time?something of Mandelstam's enticing, turbulent, and utterly heartbreaking sounds.

Eight years ago, Christian Wiman, a well-known poet and the editor of Poetry magazine, wrote a now-famous essay about having faith in the face of death. My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith-responsive not only to modern thought and science but also to religious tradition-might look like. Joyful, sorrowful, and beautifully written, My Bright Abyss is destined to become a spiritual classic, useful not only to believers but to anyone whose experience of life and art seems at times to overbrim its boundaries. How do we answer this "burn of being"? Wiman asks. What might it mean for our lives-and for our deaths-if we acknowledge the "insistent, persistent ghost" that some of us call God? One of Publishers Weekly's Best Religion Books of 2013