Böcker av Christina Lee

From the author of the Between Breaths novels comes a gripping romance about finding yourself while taking a second chance at your first love... Dakota Nakos was always the resilient, strong-willed achiever. But when her father dies and she's entrusted with the family's casino, she feels vulnerable, scared, and more than a little emotional —not exactly the best time to see an old lover she's never really gotten over.Dakota once meant the world to Shane Garrity. Then suddenly he left town to train as a U.S. Marshal, and their love for each other crashed into a memory. Now he's come home for her father's funeral, and one look at the girl he left behind stirs up both memories and regrets, and reignites a fire he feared he'd lost forever.Dakota may be the same driven girl she always was, but she's also changed in ways neither could have anticipated. She's not just a young woman searching for own identity in the Native American community in which she was raised, but one questioning her new life outside her father's shadow. Above all she wonders if Shane can push past her weakened defenses to rekindle what they once had, or whether the intense blaze between them will ultimately reduce her heart to ashes.

Examines popular representations of Generation X in American and British film. This book explores the important cultural work performed by films that mediate the experiences of Generation X, and critiques the marginalization of the youth who struggle to find their identity and a voice in increasingly unstable times.

This work argues that the social construction of gender restricts women's lives and choices, and that this has negative consequences for women's health and wellbeing. It is organized around restrictive social myths about women, such as women being at the mercy of their hormones.

Essays centred round the representation of weaving, both real and imagined, in the early middle ages.The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view of the material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile. MAREN CLEGG HYER is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University; JILL FREDERICK is Professor of English at Minnesota State University Moorhead. Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne.