Offers a comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric, English drama, and French philosophy, this title reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation.
Christopher D. Johnson traces several thematic sequences in the panels of Aby Warburg's encyclopedic Mnemosyne (Atlas of Images), begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929.
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
