This book examines the role of geometry in the design and manufacture of silverware. It suggests that many of the geometric forms that became popular in the early eighteenth century were in fact modelled on imported Asian ceramics and lacquer, some of which in turn were copying much earlier Chinese metal wares.
Accompanying the first-ever exhibition devoted to English neo-classical silver and held in 2010, this book brings together a wealth of items in the neo-classical style.
A story of the making on location of this classic film at a seventeenth-century mansion in the Norfolk countryside, starring Julie Christie and Alan Bates.
The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style
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