Böcker av Christopher Morley

I wanted to call these exercises "Casual Ablutions," in memory of the immortal sign in the washroom of the British Museum, but my arbiter of elegance forbade it. You remember that George Gissing, homeless and penniless on London streets, used to enjoy the lavatory of the Museum Reading Room as a fountain and a shrine. But the flinty hearted trustees, finding him using the wash-stand for bath-tub and laundry, were exceeding wroth, and set up the notice:these basins are forcasual ablutions onlyI would like to issue the same warning to the implacable reader: these fugitive pieces, very casual rinsings in the great basin of letters, must not be too bitterly resented, even by their publishers. To borrow O. Henry's joke, they are more demitasso than Tasso. -- Christopher Morley

Morley was born in Bryn Mawr, Pennsylvania. His father, Frank Morley, was a mathematics professor at Haverford College; his mother, Lilian Janet Bird, was a violinist who provided Christopher with much of his later love for literature and poetry."I warn you," said the funny-looking little man with the red beard, "I?m here to sell this caravan of culture, and by the bones of Swinburne I think your brother's the man to buy it."

This is a suspenseful novel set in Brooklyn around the time of the end of World War I. It continues the story of Roger Mifflin, the book seller in Parnassus on Wheels. It also details an adventure of Miss Titania Chapman and a young advertising man named Aubrey Gilbert.(Jacketless hardcover intended for the library trade.)

Robert Schumann and Clara Wieck were drawn to each other the moment they met, but there were obstacles in the way. Clara was ten years younger and her domineering father, Friedrich Wieck, Robert's piano teacher, was against their relationship as it developed over the years. He saw Robert as a dissolute womaniser, and he saw his own reflected glory disappearing if Clara's career prospects as a pianist diminished. But the couple did marry, with help from the judiciary, and had a happy life together, so happy that their increasing number of children did indeed hamper Clara's performing opportunities. Then a young composer, Johannes Brahms, came into their household as a disciple of Schumann and nothing would ever be the same again. About The Author Christopher Morley is Chief Music Critic of the Birmingham Post, and contributes to several international magazines. Schumann has always been very special to him, and a visit to the asylum in which the composer died made a huge impression upon him.

The Haunted Bookshop (1919) is a novel by Christopher Morley. Although less popular than Kitty Foyle (1939), a novel adapted into an Academy Award-winning film, The Haunted Bookshop is a fast-paced thriller that deserves a modern audience. From unassuming beginnings as a tale about a lovelorn advertising salesman who visits a charming bookstore, The Haunted Bookshop quickly morphs into a story of paranoia, stalking, and kidnapping. ¿If you are ever in Brooklyn, that borough of superb sunsets and magnificent vistas of husband-propelled baby-carriages, it is to be hoped you may chance upon a quiet by-street where there is a very remarkable bookshop.¿ In need of a new client, Aubrey Gilbert steps into a bookstore on a quiet Brooklyn street. There, he meets Roger Mifflin, the store¿s owner, who inundates the adman with information on the value of books. Although he fails to get Mifflin¿s business, Gilbert is drawn to Titania Chapman, the man¿s beautiful young assistant who just so happens to be the daughter of Gilbert¿s most important client. As mysterious occurrences begin to pile up¿a valuable book is stolen, Gilbert is assaulted, and a strange man is found lurking in the alleyway behind the store¿it becomes clear that Titania is in grave danger. With a beautifully designed cover and professionally typeset manuscript, this edition of Christopher Morley¿s The Haunted Bookshop is a classic of American literature reimagined for modern readers.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!