Böcker av Christopher Payne

A Beginner's Guide to Special Makeup Effects, Volume 2 builds on the foundations covered in A Beginner's Guide to Special Makeup Effects: Monsters, Maniacs and More, introducing more professional-level materials and techniques and preparing readers for the next steps in their career.This book is divided into two sections: Paint and Buildups and Prosthetics. The first section shows a variety of characters created using two-dimensional painting techniques and materials that can be built up right on the skin, while the second section teaches how to apply a variety of store-bought prosthetics. Foam latex, silicone and prosthetic transfers are all covered. Each character is introduced with a full-page photograph of the finished makeup and illustrated with full-color, step-by-step photographs. The makeup tutorials in this book are designed to build on the lessons learned in the previous chapters, allowing readers to gradually expand on their skillset. The book also includes instruction on airbrushing, applying fake tattoos, making bald caps, PAX paint, wig application and a variety of other materials and skills. Five appendices cover topics including building a makeup kit, photographing your work and getting jobs as a makeup artist.This is practical, easy-to-follow makeup book is suited for students of Stage Makeup courses, as well as for the theatre technician working and training on their own.

British Furniture 1820 to 1920 is the first book on the subject for several decades and the only book ever published to span the century from 1820 through to 1920.

Powerful photographs of the grand exteriors and crumbling interiors of America's abandoned state mental hospitals.For more than half the nation's history, vast mental hospitals were a prominent feature of the American landscape. From the mid-nineteenth century to the early twentieth, over 250 institutions for the insane were built throughout the United States; by 1948, they housed more than a half million patients. The blueprint for these hospitals was set by Pennsylvania hospital superintendant Thomas Story Kirkbride: a central administration building flanked symmetrically by pavilions and surrounded by lavish grounds with pastoral vistas. Kirkbride and others believed that well-designed buildings and grounds, a peaceful environment, a regimen of fresh air, and places for work, exercise, and cultural activities would heal mental illness. But in the second half of the twentieth century, after the introduction of psychotropic drugs and policy shifts toward community-based care, patient populations declined dramatically, leaving many of these beautiful, massive buildings—and the patients who lived in them—neglected and abandoned. Architect and photographer Christopher Payne spent six years documenting the decay of state mental hospitals like these, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exteriors (some designed by such prominent architects as H. H. Richardson and Samuel Sloan) and crumbling interiors—chairs stacked against walls with peeling paint in a grand hallway; brightly colored toothbrushes still hanging on a rack; stacks of suitcases, never packed for the trip home. Accompanying Payne's striking and powerful photographs is an essay by Oliver Sacks (who described his own experience working at a state mental hospital in his book Awakenings). Sacks pays tribute to Payne's photographs and to the lives once lived in these places, "where one could be both mad and safe.”