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  • av Covington Hall
    246,-

    A collection of powerful and evocative poems that capture the spirit of rebellion and resistance. From the civil rights movement to contemporary social justice struggles, these poems speak to the heart of anyone who has ever felt the fire of rebellion burning within them. Hall's poetry is both lyrical and urgent, and will resonate with readers long after the last page is turned.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av Covington Hall
    160,-

    This collection of poetry is largely culled from the three labor journals that Ragnar Redbeard-inspired Wobbly activist Covington Hall edited from 1913 to 1916: The Lumberjack, The Voice of the People, and Rebellion. Hall was one of the top poets of the labor movement in the Progressive Era, and active writer and teacher for many decades until his death in 1951. Being a member of the Industrial Workers of the World, a labor organization known for pitched street fights and "direct action," in Hall we find the greatest advocate of the Chicago social-Darwinist Ragnar Redbeard, and his infernal book Might Is Right. That inspiring book was highly critical of any paid labor, much less Union organizing for workers as a class. Like so many radicals of the day, Hall looked past the conflicting parts to focus on the core message: the only foundation for right is the ability to enforce one's will on others.The poems contained within this booklet are mostly from the pen of Hall, but also others that he found worthy to print in his own journals, including Dadaist anarchist sculptor Adolf Wolff, and "Satanic Socialist" Henry M. Tichenor, author of The Sorceries and Scandals of Satan. They represent that curious melding of Might and Blasphemy and Labor in often stirring but sometimes satirical ways. Featuring an original introduction by editor-in-chief of UnionOfEgoists.com Kevin I. Slaughter, and a second by a contemporary of Halls, singing his praises as a poet of rebellion.

  • av Covington Hall
    416,-

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