This interdisciplinary study explores George de La Tour's (1593-1652) enigmatic representations of light, vision and the visible in order to question the nature of painting and its religious, artistic and conceptual aspects. Challenging the familiarity of vision, it proposes a spiritual understanding of painting and its engagements with the world.
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. This book examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production.
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