Cinema and photography are both intimately associated with time-cinema with timein passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being.
Looks at the different ways in which 'realism' and reality have been understood in art history, with a focus on debates about the real within photography. Emphasising the role of art in shaping, as well as reflecting, notions of the real, this book features contributions from a number of contemporary artists.
Are your students baffled by Baudrillard? Dazed by Deleuze? This book uses the language of the arts to explore the usefulness in practice of complex ideas. It uses actual examples of artworks, films, television shows, works of architecture, fashion and even computer games to explain and explore the work of the most commonly taught thinkers.
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