Böcker av Dana Arnold

In this book, prominent architectural historians, who happen to be women, reflect on their practice and the intervention this has made in the discipline. Of particular concern are the ways in which feminine subjectivities have been embodied in the discourses of architectural history. Each of the chapters examines the author's own position and the disruptive presence of women as both subject and object in the historiography of a specific field of enquiry. The aim is not to replace male lives with female lives, or to write women into the masculinist narratives of architectural history. Instead, this book aims to broaden the discourses of architectural history to explore how the potentially 'unnatural rule' of women subverts canonical norms through the empowerment of otherness rather than a process of perceived emasculation.The essays examine the historiographic and socio/cultural implications of the role of women in the narratives and writing of architectural history with particular reference to western traditions of scholarship on the period 1600-1950. Rather than subscribing to a single position, individual voices critically engage with past and present canonical histories disclosing assumptions, biases, and absences in the architectural historiography of the West. This book is a crucial reflection upon historiographical practice, exploring potential openings that may contribute further transformation of the theory and methods of architectural history.

This well-illustrated, accessibly written book examines how eighteenth-century prints and drawings of antique architecture operated as representations of thought. Combining original archival material with cultural theory, the book considers the idea of the past and the role of space and time in the visual ekphrasis or description of its architecture. -- .

A brief, brilliant and essential introduction to the key concepts in art, from ancient times to the present day.

The villa remains one of the most potent architectural forms in western culture. The range of form, planning and sources of the villa is seen and not only in Robert Adam's designs but also in the variations of the villa found in Edinburgh and Glasgow where it provided a balanced contrast between city and retreat.

The country house was the focal point of Georgian architecture, landscape and society. Illustrations, showing exteriors, interiors and landscapes of houses ranging from Blenheim and Harewood to lesser known examples such as A la Ronde, provide a thorough historical and visual survey of the period.

This original and innovative book examines an intensive period in the development of London, when in the opening decades of the nineteenth century a concerted attempt was made to transform the metropolis into a modern European capital -- .