Explores the interaction between culture and economics during the transition from Keynesianism in the mid-1960s to the triumph of neoliberalism in the 1980s. Daniel Robert McClure tracks the perception that a great neoliberal reckoning might restore America's repressive racial, sexual, gendered, and classed foundations in the wake of the 1960s.
This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry.
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