Böcker av Dante Alighieri

The Divine Comedy describes Dante's travels through Hell, Purgatory, and Paradise and represents the soul's journey towards God. This edition includes the complete texts of Dante's Inferno, Purgatoria, and Paradiso.

The New Life (1294) is a work of verse and prose by Italian poet Dante Alighieri. Composed in the prosimetrum style, The New Life explores the popular medieval theme of courtly love. Made up of alternating commentaries, sonnets, and canzoni, the work is an essential expression of Dante''s poetic gift, and a foundational work for the dolce stil novo literary movement to which Dante was a central figure. Written in the Tuscan vernacular, the poem was influential in establishing a standardized Italian language. Compiled and published following the death of Beatrice Portinari, whom Dante loved from the age of nine when he saw her on the streets of Florence, The New Life translates his personal grief into a moving and universally recognizable work on the nature of love. Dante, who believed that romantic love could lead to a development of the soul, subsequently bringing one to the love of God--a concept central to The Divine Comedy--divided his work into prose commentaries and poems in verse, a popular style known as prosimetrum. Despite this debt to tradition, however, Dante wrote The New Life in the Tuscan vernacular as opposed to Latin, making his work more accessible to readers. Autobiographical in nature, The New Life portrays Dante coming to terms with his grief, praising the deceased Beatrice, and turning friends and acquaintances into figures populating his poems. From sorrow to salvation, Dante finds the light of God through the darkness of death, testifying to the transformative power of love while proving beyond any doubt the power of a transformative poetry. With a beautifully designed cover and professionally typeset manuscript, this edition of Dante Alighieri''s The New Life is a classic of Italian literature reimagined for modern readers.

Unveränderter Nachdruck der Originalausgabe von 1864.

The Divine Comedy is a long Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the pre-eminent work in Italian literature[1] and one of the greatest works of world literature.[2] The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language.[3] It is divided into three parts: Inferno, Purgatorio, and Paradiso.The narrative takes as its literal subject the state of souls after death and presents an image of divine justice meted out as due punishment or reward,[4] and describes Dante's travels through Hell, Purgatory, and Paradise or Heaven,[5] while allegorically the poem represents the soul's journey towards God,[6] beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Roman Catholic[7][8][9][10][11] theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas.[12] Consequently, the Divine Comedy has been called "the Summa in verse".[13] In Dante's work,[14] the pilgrim Dante is accompanied by three guides:[4] Virgil (who represents human reason),[15] Beatrice (who represents divine revelation,[16] theology, faith, and grace),[17] and Saint Bernard of Clairvaux (who represents contemplative mysticism and devotion to Mary).[18] Erich Auerbach said Dante was the first writer to depict human beings as the products of a specific time, place and circumstance as opposed to mythic archetypes or a collection of vices and virtues; this along with the fully imagined world of "The Divine Comedy", different from our own but fully visualized, suggests that the Divine Comedy could be said to have inaugurated modern fiction[citation needed].The work was originally simply titled Comedìa (pronounced [kome¿di¿a]; so also in the first printed edition, published in 1472), Tuscan for "Comedy", later adjusted to the modern Italian Commedia. The adjective Divina was added by Giovanni Boccaccio, and the first edition to name the poem Divina Comedia in the title was that of the Venetian humanist Lodovico Dolce,[19] published in 1555 by Gabriele Giolito de' Ferrari.

Reprint of the original, first published in 1867.

A new translation of Dante's Purgatorio that celebrates the human elements of the second part of The Divine Comedy. This is a bilingual edition with an illuminating introduction from the translator. Winner of the American Literary Translators Association 2022 National Translation Award in Poetry.Purgatorio, the middle section of Dante’s great poem about losing, and subsequently finding, one’s way in the middle of one’s life is, unsurprisingly, the beating heart of The Divine Comedy, as this powerful and lucid new translation by the poet D. M. Black makes wonderfully clear. After days spent plumbing the depths of hell, the pilgrim staggers back to the clear light of day in a state of shock, the sense of pervasive dread and deep bewilderment with which he began his pilgrimage as intensified as it is alleviated by his terminal vision of evil. The slow and initially arduous climb up the mount of Purgatory that ensues, guided as always by Virgil, his poetic model and mentor, is simultaneously a reckoning with human limits and a rediscovery of human potential in the light of divine promise. Dante’s Purgatorio, which has been an inspiration to poets as varied as Shelley and T. S. Eliot, is a book full of human stories and philosophical inquiry; it is also a tale of individual reintegration and healing. Black, a distinguished psychoanalyst as well as a poet, provides an introduction and commentary to this masterpiece by Dante from a contemporary point of view in this bilingual edition.

La divine comédie: enfer, purgatoire, paradis. Tome 1 / Dante; traduction en vers avec le texte en regard, accompagnée de notes et éclaircissements, par E. Aroux, ...Date de l'édition originale: 1842Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

L'enfer, Chant I / Dante; nouvelle édition publiée avec une notice, un argument de tout le poème et des notes en français, par B. MelziDate de l'édition originale: 1875[Inferno (italien). 1875]Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr