Böcker av Daphne Du Maurier

Last night I dreamt I went to Manderley again . . .Working as a lady's companion, the orphaned heroine of Rebecca learns her place. Life begins to look very bleak until, on a trip to the South of France, she meets Maxim de Winter, a handsome widower whose sudden proposal of marriage takes her by surprise. Whisked from glamorous Monte Carlo to his brooding estate, Manderley, on the Cornish Coast, the new Mrs de Winter finds Max a changed man. And the memory of his dead wife Rebecca is forever kept alive by the forbidding Mrs Danvers . . . Not since Jane Eyre has a heroine faced such difficulty with the Other Woman. An international bestseller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity.I am reminded of how profoundly du Maurier changed the way I felt about myself, how she engaged and excited me with her writing.

A tale of love and adventure on the high seas from the internationally bestselling author of RebeccaThe Restoration Court knows Lady Dona St Columb to be ripe for any folly, any outrage that will alter the tedium of her days. But there is another, secret Dona who longs for freedom, honest love - and sweetness, even if it is spiced with danger. To escape the shallowness of court life, Dona retreats to Navron, her husband's remote Cornish estate. There, she seeks peace in its solitary woods and hidden creeks. But she finds instead a daring pirate, hunted by all Cornwall, a Frenchman who, like Dona, would gamble his life for a moment's joy. Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

Jamaica Inn is a first-rate page-turner. - The Times ----------------------------------------------------------------------------------------------------------------------------------------------------After the death of her mother, Mary Yellan crosses the windswept Cornish moors to Jamaica Inn, the home of her Aunt Patience. There she finds Patience a changed woman, downtrodden by her domineering, vicious husband Joss Merlyn. The inn is a front for a lawless gang of criminals, and Mary is unwillingly dragged into their dangerous world of smuggling and murder. Before long she will be forced to cross her own moral line to save herself...

A storyteller of cunning and genius - Sally Beauman Hungry Hill' is a passionate story told with du Maurier's unique gift for drama. It follows five generations of an Irish family and the copper mine on Hungry Hill to which their fortunes and fates are bound.'I tell you your mine will be in ruins and your home destroyed and your children forgotten . . . but this hill will be standing still to confound you.' So curses Morty Donovan when 'Copper John' Brodrick builds his mine at Hungry Hill. The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success, and consider the great house and its surrounding land theirs by rights.For generations the feud between the families has simmered, always threatening to break into violence . . .

The definitive biography of Daphne Du Maurier, one of history's greatest psychological thriller novelistsRebecca, published in 1938, brought its author instant international acclaim, capturing the popular imagination with its haunting atmosphere of suspense and mystery.

Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip's world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and then dies suddenly in suspicious circumstances. Before long, the new widow - Philip's cousin Rachel - arrives in England. Despite himself, Philip is drawn to this beautiful, mysterious woman. But could she have masterminded Ambrose's death?

Inspired by a grisly discovery in the nineteenth century, The King's General was the first of du Maurier's novels to be written at Menabilly, the model for Manderley in Rebecca.Set in the seventeenth century, it tells the story of a country and a family riven by civil war, and features one of fiction's most original heroines. Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone.As Richard rises through the ranks of the army, marries and makes enemies, Honor remains true to him, and finally discovers the secret of Menabilly...

Now a Netflix film starring Lily James and Kristin Scott Thomas"Last Night I Dreamt I went to Manderley Again..."With these words, the reader is ushered into an isolated gray stone mansion on the windswept Cornish coast, as the second Mrs. Maxim de Winter recalls the chilling events that transpired as she began her new life as the young bride of a husband she barely knew. For in every corner of every room were phantoms of a time dead but not forgotten—a past devotedly preserved by the sinister housekeeper, Mrs. Danvers: a suite immaculate and untouched, clothing laid out and ready to be worn, but not by any of the great house''s current occupants. With an eerie presentiment of evil tightening her heart, the second Mrs. de Winter walked in the shadow of her mysterious predecessor, determined to uncover the darkest secrets and shattering truths about Maxim''s first wife—the late and hauntingly beautiful Rebecca.This special edition of Rebecca includes excerpts from Daphne du Maurier''s The Rebecca Notebook and Other Memories, an essay on the real Manderley, du Maurier''s original epilogue to the book, and more.A PBS Great American Read Top 100 Pick

'I want to know if men realise when they are insane. Sometimes I think that my brain cannot hold together, it is filled with too much horror - too much despair . . . I cannot sleep, I cannot close my eyes without seeing his damned face. If only it had been a dream.'In 'The Doll', a waterlogged notebook is washed ashore. Its pages tell a dark story of obsession and jealousy. But the fate of its narrator is a mystery.Most of the stories in this haunting collection were written early in Daphne du Maurier's career - when she was still in her early twenties - yet they display her mastery of atmosphere, tension and intrigue and reveal a cynicism far beyond her years.She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality - Guardian

Sir Gerald du Maurier was the most celebrated actor-manager of his day, knighted for his services to the theatre in 1922. Published within six months of her father's death, this frank biography was considered shocking by many of his admirers - but it was a huge success, winning Daphne du Maurier critical acclaim and launching her career.In Gerald: A Portrait, Daphne du Maurier captures the spirit and charm of the charismatic actor who played the original Captain Hook, amusingly recalling his eccentricities and his sense of humour, and sensitively portraying the darker side of his nature and his bouts of depression.A remarkable book . . . brilliant comic writing - The Times

As a young guide for Sunshine Tours, Armino Fabbio leads a pleasant, if humdrum life - until he becomes circumstantially involved in the death of an old peasant woman in Rome.The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames during the war.Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident...She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality - Guardian

As a bold and gifted child, Branwell Bronte's promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius distorted and burned low.With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a spectre in the Bronte story, in pathetic contrast with the astonishing achievements of his sisters.Daphne du Maurier concentrates all her biographer's skill on the shadowy figure of Branwell Bronte, and no reader could fail to be intensely moved by Branwell's final retreat into laudanum, alcohol - and death

Both her novels and her non-fiction reveal Daphne du Maurier's overwhelming desire to explore her family's history. In Myself When Young, based on diaries that she kept from 1920-1932, the most famous du Maurier probes her own past, beginning with her earliest memories and encompassing the publication of her first book and her subsequent marriage.Here, the writer is open and sometimes painfully honest about the difficult relationship with her father; her education in Paris; early love affairs; her antipathy towards London life and the theatre; her intense love for Cornwall and her desperate ambition to succeed as a writer. The resulting portrait is of a captivating and complex character.A delightful book, full of amusing and charming stories, pinpointing the literary influences and the first stirrings of books to be written in later years, and with a happy and romantic ending - THE TIMES

'Someone jolted my elbow as I drank and said, "e;Je vous demande pardon,"e; and as I moved to give him space he turned and stared at me and I at him, and I realised, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well.I was looking at myself.'By chance, two men - one English, the other French - meet in a provincial railway station. Their resemblance is uncanny, and they spend the next few hours talking and drinking - until at last John, the Englishman, falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, his French companion has stolen his identity and disappeared. So John steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing...A good original novel, well tinged with nightmare - Times Literary Supplement

'How long he fought with them in the darkness he could not tell, but at last the beating of the wings about him lessened and then withdrew . . . 'A classic of alienation and horror, 'The Birds' was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world. The mountain paradise of 'Monte Verit ' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

'When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . .'Maria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.

A magician, a virtuoso. She can conjure up tragedy, horror, tension, suspense, the ridiculous, the vain, the romantic - Good Housekeeping 'Mary Farren went into the gun room one morning about half-past eleven, took her husband's revolver and loaded it, then shot herself. The butler heard the sound of the gun from the pantry...'The fourteen haunting stories in this collection span the whole of Daphne du Maurier's writing career and explore every human emotion: an apparently happily married woman commits suicide; a steamer in wartime is rescued by a mysterious sailing-ship; a dull husband breaks loose in a surprising fashion; a con woman plays her game once too often; and a famous novelist looks for romance, only to meet with bitter disappointent. Each meticulously observed tale shows du Maurier's mastery of the genre.

In this prescient novel, Daphne du Maurier explores the implications of leaving Europe for a political, economic and military alliance with the United States.'It is rather awful, Emma thought as she walked across the fields down to the farm, how this business is leading us all into subterfuge and deception, and we can't really tell who is friend and who is enemy . . . 'Emma wakes up one morning to an apocalyptic world. The cosy existence she shares with her grandmother, a famous retired actress, has been shattered: there's no telephone, no radio - and an American warship sits in the harbour. England has withdrawn from the European Common Market and, on the brink of bankruptcy, has decided that salvation lies in a union - political, military and economic - with the United States. Theoretically it is to be an equal partnership, but it soon begins to look like a takeover bid.As the two women piece together clues about the 'friendly' military occupation on their doorstep, family, friends and neighbours come together to resist the interlopers.The spirit of Britannia embodied - SUNDAY TELEGRAPH

This book of occasional pieces from Daphne du Maurier's workshop is good to have: it is something of a continuation of her autobiography MYSELF WHEN YOUNG. The title piece is the remarkable Notebook she kept when REBECCA was forming itself in her mind -- the book that made her a worldwide bestseller and conquered both stage and films and ... television. The other pieces are mainly autobiographical but have no less variety than charm.'Her devoted readers will not be disappointed' SPECTATOR

The apathy of Sunday lay upon the streets. Houses were closed, withdrawn."e;They don't know,"e; he thought, "e;those people inside, how one gesture of mine, now, at this minute, might alter their world. A knock on the door, and someone answers - a woman yawning, an old man in carpet slippers, a child sent by its parents in irritation; and according to what I will, what I decide, their whole future will be decided . . . Sudden murder. Theft. Fire."e; It was as simple as that.'In this collection of suspenseful tales in which fantasies, murderous dreams and half-forgotten worlds are exposed, Daphne du Maurier explores the boundaries of reality and imagination. Her characters are caught at those moments when the delicate link between reason and emotion has been stretched to the breaking point. Often chilling, sometimes poignant, these stories display the full range of Daphne du Maurier's considerable talent.

Prior to the publication of this biography, the elusive Anthony Bacon was merely glimpsed in the shadow of his famous younger brother, Francis.A fascinating historical figure, Anthony Bacon was a contemporary of the brilliant band of gallants who clustered round the court of Elizabeth I, and he was closely connected with the Queen's favourite, the Earl of Essex. He also worked as an agent for Sir Francis Walsingham, the Queen's spymaster, living in France where he became acquainted with Henri IV and the famous essayist Michel de Montaigne.It was in France that du Maurier discovered a secret that, if disclosed during Bacon's lifetime, could have put an end to his political career . . . Du Maurier did much to shed light on matters that had long puzzled historians, and, as well as a consummate exercise in research, this biography is also a strange and fascinating tale.A landmark book on a much-neglected figure, containing ground-breaking research . . . Vintage du Maurier - a page-turner, and a thundering good read! - Lisa Jardine

Many accounts of the life of Francis Bacon have been written for scholars. But du Maurier's aim in this biography was to illuminate the many facets of Bacon's remarkable personality for the common reader.To her book she brought the same gifts of imagination and perception that made her earlier biography, Golden Lads, so immensely readable, siklfully threading into her narrative extracts from contemporary documents and from Bacon's own writings, and setting her account of his life within a vivid contemporary framework.This is truly history made alive.Unlike many authors of popular historical biographies, du Maurier resembled Antonia Fraser in being an indefatigable researcher - Francis King

When Daphne du Maurier wrote this book she was only thirty years old and had already established herself both as a biographer, with the acclaimed Gerald: A Portrait, and as a novelist. The Du Mauriers was written during a vintage period of her career, between two of her best-loved novels: Jamaica Inn and Rebecca.Her aim was to write her family biography 'so that it reads like a novel' and it was due to du Maurier's remarkable imaginative gifts that she was able to breathe life into the characters and depict with affection and wit the relatives she never knew, including her grandfather, the famous Victorian artist and Punch cartoonist - and creator of Trilby.'Miss du Maurier creates on the grand scale; she runs through the generations, giving her family unity and reality . . . a rich vein of humour and satire . . . observation, sympathy, courage, a sense of the romantic, are here' Observer