Böcker av David Hare

Skylight premiered at the National Theatre in 1995 and then went on to become one of the most internationally successful plays of recent years. This is the definitive edition of Skylight.

Take a visual tour of Ireland's lighthouses - and learn loads along the way!

This is a collection of striking images and fascinating stories about the lighthouses around Ireland's coast and the extraordinary men and women who lived and worked in them - as seen on the RTÉ TV series of the same name.

Not everyone arrives safely. The great detective writer Georges Simenon escaped France at the end of World War Two, and arrived in the USA to start again. With his American wife, he settled at Shadow Rock Farm in Lakeville. Years later, he wrote La Main, a psychological thriller set in a New England farmhouse.

Covid-19 seems to be a sort of dirty bomb, thrown into the body to cause havoc. On the same day that the UK government finally made the first of two decisive interventions that led to a conspicuously late lockdown, David Hare contracted Covid-19.

'I want to give my country a model of perfection... Nothing less. My country needs cheering up. I'm the man to do it.'Nobody can doubt John Christie's passion nor his formidable will: his wooing of his opera singer wife has been marked by a determination befitting a man who won the Military Cross at the Battle of Loos. Now, in 1934, this Etonian science teacher's admiration for the works of Wagner has led him to embark on an ambitious project: the construction of an Opera House on his estate in Sussex.But such is the scale of the enterprise that passion alone may not be enough. It's only when a famous violinist is delayed by fog overnight in Eastbourne that Christie hears word of a group of refugees for whom life in Germany is becoming impossible. Perhaps they can deliver Christie's vision of the sublime - assuming they're willing to cast his wife in the lead.David Hare's new play is the story of an intense love affair between some unlikely bedfellows, and of the unrelenting search for artistic excellence in the face of searing scrutiny, sacrifice and war.The Moderate Soprano premieres at Hampstead Theatre, London, in October 2015.

In vividly dramatic form, this play tells how a remote Chinese village comes to terms with Communism. Every revolution creates new words. The Chinese revolution created a whole new vocabulary in which a very important word is "fanshen" which literally means "to turn the body" or "to turn over." To hundreds of millions of landless and poor peasants it means to stand up, throw off the landlords' yoke, and gain land, stock, and houses. Moreover it means to enter a new world and this play is the story of how the peasants of Long Bow build a new world.2 women, 7 men

Forming the first part of the David Hare Trilogy (which also comprises of Murmuring Judges and The Absence of War) Racing Demon focuses on the Church of England. A disparate body, the Church now finds itself attracting unwanted publicity, wracked by the dissension of its members on matters of doctrine and practice and at odds with the government. In this climate the Reverend Lionel Espy and his team of clergymen struggle to make sense of their mission in South London, as the arrival of a zealous young curate intensifies their personal and professional problems.3 women, 8 men

When, in 2000, the National Theatre published its poll of the hundred best plays of the 20th century, David Hare had written five of them. Yet he was born in 1947 into an anonymous suburban street in Hastings. It is a world he believes to be as completely vanished as Victorian England.Now in his first panoramic work of memoir, ending as Margaret Thatcher comes to power in 1979, David Hare describes his childhood, his Anglo-Catholic education and his painful apprenticeship to the trade of dramatist. He sets the progress of his own life against the history of a time in which faith in hierarchy, deference, religion, the empire and finally politics all withered away. Only belief in private virtue remains.In his customarily dazzling prose and with great warmth and humour, David Hare explores how so radical a shift could have occurred, and how it is reflected in his own lifelong engagement with two disparate art forms - film and theatre. In The Blue Touch Paper David Hare describes a life of trial and error: both how he became a writer and the high price he and those around him paid for that decision.

Originally published: London: Faber and Faber, 1995.

In David Hare's "greatest play" (City Limits) two sisters, Isobel, a serene and good person, and Marion, an ambitious Tory Junior Minister, gather at the home of their late father for his funeral. Katherine, the sisters' young, alcoholic, stepmother, announces her intention of joining Isobel's design company. Reluctantly Isobel agrees and this act paves the way for tragedy and disaster involving Isobel's lover Irwin, and Marion's evangelical, earnest husband Tom.-4 women, 2 men

Do you want to be happier? Find inner calm? Enjoy a rich and rewarding life? Here's how... The Buddha in Me, the Buddha in You combines the tried-and-tested wisdom of Nichiren Buddhism with the best of popular psychology and personal development, making this a brilliant guide to how life works, and how to get the most from it. Nichiren Buddhism differs from other Buddhist schools in its focus on the here-and-now, and places great importance on individual growth as the starting point for a better world. This, combined with powerful techniques such as NLP, mindfulness, journalling and coaching, makes The Buddha in Me, the Buddha in You the quintessential handbook for happiness.'Buddha' simply means someone who is awakened - yet while Nichiren Buddhists will find fascinating insights into their practice, there is no need to follow a spiritual path to benefit from this book. Through his experience as an internationally acclaimed life coach and practising Buddhist, author David Hare shows us how to wake up to our own potential and that of those around us to discover everyday enlightenment.

The Absence of War offers a meditation on the classic problems of leadership, and is the third part of a critically acclaimed trilogy of plays (Racing Demon, Murmuring Judges) about British institutions.Its unsparing portrait of a Labour Party torn between past principles and future prosperity, and of a deeply sympathetic leader doomed to failure, made the play hugely controversial and prophetic when it was first presented at the National Theatre, London, in 1993.

It's not just that rich people don't know what they've got. They don't even know what they throw away. India is beginning to prosper. But beyond the luxury hotels surrounding Mumbai airport is an obstacle, amakeshift slum. It's home to foul mouthed Zehrunisa and her garbage sorting son Abdul, entrepreneurs both. Sunil, twelve, picks plastic. Manju, schoolteacher, hopes to be the settlement's first woman to gain a degree. Asha, go-to woman, exploits every scam to become a first-class person. And Fatima, One Leg, is about to make an accusation that will destroy herself and shatter the neighbourhood. Katherine Boo spent three years under the flight-path, recording the lives of Annawadi's diverse inhabitants. Now from Boo's book, which won the National Book Award for Non-Fiction in 2012, David Hare has fashioned an epic play for the stage which details the ingenious and sometimes violent ways in which the poor and disadvantaged negotiate with corruption to seek a handhold on capitalism's lowest rungs.David Hare's stage adaptation of Behind the Beautiful Forevers premiered at the National Theatre, London, in November 2014.

In 1997 the 50-year-old playwright David Hare decided to visit the 50-year-old state of Israel and write a play - Via Dolorosa - about the conflict. He then chose to become the actor of his own play and set about learning to act the monologue for an uninterrupted 95 minutes on stage. Acting Up is a diary of the ups and downs of that learning curve as well as an insight into what it is actors, directors, producers and stage staff actually do in rehearsals. Hare's hilarious diary of his experience on both sides of the Atlantic tells of his difficulties in coming to terms with his terrifying change of career, but also grapples with more serious questions about the nature of acting itself.

John Blakemore is a solitary boy who finds it impossible either to understand or adapt to the ways of the school. His adolescent earnestness put off teacher and pupil alike. And now suddenly he seems to be in danger of losing his only friend.David Hare's emotional new play, written at the invitation of the Rattigan estate as a response to The Browning Version, is a meditation on faith, learning and teenage friendship, played against the backdrop of a Britain still fighting to maintain an established rule.Collected with South Downs is the text of Hare's lecture Mere Fact, Mere Fiction, delivered to the Royal Society of Literature in 2010. In a famous defence of documentary theatre, the author celebrates the power of metaphor to transform factual quite as much as fictional material.

Oscar Wilde's philosophy leads him on a path to destruction. The Judas Kiss describes two pivotal moments: the day Wilde decides to stay in England and face imprisonment, and the night when the lover for whom he risked everything betrays him.With a burning sense of outrage, David Hare presents the consequences of an uncompromisingly moral position in a world defined by fear and conformity.Originally produced in the West End and on Broadway, this new edition coincides with a 2012 revival.'Superbly written... Hare has taken a history and pieced it together with heroic grace... Vastly rich, sophisticated and heartbreaking.' Time Out, New York

This is a new collection of some of David Hare's finest work, including Skylight (Winner of the Laurence Olivier Award for Best New Play, 1996), Amy's View, The Judas Kiss and My Zinc Bed.

In 1991, before an election they did not expect to win, the Conservative government made a fateful decision to privatize the railways. As a result, the taxpayer subsidizes rail more lavishly then ever before. In The Permanent Way, David Hare, working with actors from the Out of Joint Company, tells the intricate, madcap story of a dream gone sour, by gathering together the first-hand accounts of those most intimately involved - from every level of the system. 'A drama that stirs indignation and pity in equal measure, political theatre that transcends the old conflicts between Right and Left to condemn the whole mindset and attitudes of those allegedly running our nation's affairs. It is, by a mile, the most significant and revealing new play of the year. If you want to understand why Britain isn't working, you need to see The Permanent Way.' Daily Telegraph'A compelling, fast-moving and astringently witty collage of first-hand testimonies and conflicting points of view... The picture that emerges with great force from these vivid, eloquently juxtaposed vignettes is of a debased culture that sets less store by the expertise that comes from intimate knowledge of a subject than by vacuous so-called management skills.' Independent'A vitally necessary piece of theatre.' Guardian

David Hare's trilogy of plays - Racing Demon, Murmuring Judges, The Absence of War - first presented at the National Theatre, London, in 1993, examines the crises facing three great British institutions - the Church, the Law and the Labour Party. In order to learn about these organisations, Hare amassed a body of hard research from first-hand interviews with many of the people involved: from vicars to high-ranking policemen, from judges to MPs. Asking Around presents a judicious selection of those interviews and also includes a commentary by Hare, describing how he threaded his way through the complex structures of Church, Law and Politics.

Stuff happens... And it's untidy, and freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things.'The famous response of Donald Rumsfeld, American Secretary of Defense, to the looting of Baghdad, at a press conference on 11 April 2003, provides the title for a new play, specially written for the Olivier Theatre, about the extraordinary process leading up to the invasion of Iraq.How does the world settle its differences, now there is only one superpower? What happens to leaders risking their credibility with sceptical publics? From events which have dominated international headlines for the last two years David Hare has fashioned both a historical narrative and a human drama about the frustrations of power and the limits of diplomacy.Stuff Happens premiered at the National Theatre, London, in 2004 season and has subsequently been performed around the world. In April 2006, it was given its New York premiere at the Public Theater in this new, slightly updated text.

A young lawyer's involvement in her first case leads her through a criminal justice system - police, courts and prisons - which is cracking at the seams.Murmuring Judges is the second play in David Hare's highly acclaimed trilogy about British institutions. Racing Demon, which won four awards as Play of the Year in 1990, was the first part of the trilogy and examined the Church. The Absence of War, a play about the Labour Party, completed the trilogy.

How do you fight without hate?Racing Demon reveals the struggle of four clergymen to make sense of their mission. David Hare's play opened at the National Theatre, London, in 1990 to universal acclaim, and won four awards as Play of the Year. Racing Demon was the first part of David Hare's trilogy of plays about British institutions; Murmuring Judges and The Absence of War completed the trilogy.

The Hours is David Hare's screen adaptation of Michael Cunningham's Pulitzer Prize-winning novel. In extraordinary and ingenious ways, the film shows how a single day - and the novel Mrs Dalloway - inextricably link the lives of three very different women.

'Life being what it is, one dreams of revenge.'Gauguin's aphorism serves as the motto for this morality tale of two women, both in their sixties, whose lives are interwoven in ways neither of them yet understand. Madeline Palmer is a retired curator, living alone on the Isle of Wight. One day to her door comes Angela Beale, a woman she has met only once, who is now enjoying sudden success, late in life, as a popular novelist. The progress of a single night comes fascinatingly to echo the hidden course of their lives.

It is 1979. Esme Allen is a well-known West End actress at just the moment when the West End is ceasing to offer actors a regular way of life. The visit of her young daughter, Amy, with a new boyfriend sets in train a series of events which only find their shape eighteen years later. A generational play about the long term struggle between a strong mother and her loving daughter, Amy's View mixes love, death and the theatre in a way which is both heady and original.

Schnitzler described Reigen, his loose series of sexual sketches, as 'completely unprintable'. The company that first presented them was prosecuted for obscenity in 1921. It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has re-set these circular scenes of love and betrayal in the present day. Using as much imaginative freedom in his turn as Ophuls did fifty years ago, and with just two actors playing all of the parts, Hare has created a fascinating landscape of dream and longing which seems both eternal and bang-up-to-date.