Böcker av David Howard

In The Tools of Screenwriting, David Howard and Edward Mabley illuminate the essential elements of cinematic storytelling, and reveal the central principles that all good screenplays share. The authors address questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics as they apply to the special art of filmmaking.Howard and Mabley also demonstrate how, on a practical level, the tools of screenwriting work in sixteen notable films, including Citizen Cane, E.T., One Flew Over the Cuckoo's Nest, Rashomon, The Godfather, North by Northwest, Chinatown, and sex, lies, and videotape.

This is a guide to one of the most popular tourist destinations in the Caribbean, the Dominican Republic, which has much more to offer than its idyllic beaches. The site of the first European settlement in the Americas, the country has a long and often turbulent history, marked by dictators, foreign invasions and popular uprisings. For almost two centuries the country has shared the island of Hispaniola with Haiti, a proximity which had led to friction and occasional conflict. Despite efforts to abandon dependency on sugar and to modernize the economy, the Dominican Republic still faces considerable poverty and social tensions. Migration, legal and illegal, provides a lifeline to many poor communities. Yet this often difficult past and present have created one of the most distinctive and vibrant cultures in the Caribbean, where 16th-century colonial architecture contrasts with modern office blocks, and where Spanish, African and American influences are apparent in music, food and art.

This guidebook is a must-have resource for anyone teaching a television production class or running a morning news show at the elementary, middle, or high school level.

The ones who keep quiet for the longest are the dead, yet there are echoes of them everywhere. A turn of the head brings a glimpse of a Victorian banker retrieving his top hat from the gutter. A walk across a bridge lets you pass the ghosts of a Catholic saint, a Marxist martyr, and a boy with a tin drum. The dead are there to be heard; they are also listening to you. The Ones Who Keep Quiet showcases David Howards ability to give our world a metaphysical mulling, which he achieves with memorable lyricism and an edgy attention to questions of identity and time, silence and isolation. Kathleen Grattan Poetry Award judge Emma Neale noted this new collections extraordinary range, from mordant puns and verse drama to unexpected polyphonic juxtapositions, as if the poems have been internally pleated. In his judder-bar voice, Dad pulls up Mum: Its good enough for the likes of us. Awake to the dream of a state house, the sound of an egg beater inside that dream; on orange formica, the second-best tea set; three ducks above a coke fire steaming smalls. My sister plaits her hair Fuck, lets go to the shops so someone will talk to us.