Böcker av David Roberts

'Riveting . . . Honnold is neither crazy nor reckless. Alone on the Wall reveals him to be an utterly unique and extremely appealing young man' - Jon Krakauer, bestselling author of Into the Wild.This updated edition contains the account of Alex's El Capitan climb, which is the subject of the Oscar and BAFTA winning documentary, Free Solo. Alex Honnold is one of the world's best 'free solo' climbers, he scales impossible rock faces without ropes, pitons or any support of any kind. Exhilarating, brilliant and dangerous, there is a purity to Alex's climbs that is easy to comprehend, but also impossible to fathom; in the last forty years, only a handful of climbers have pushed themselves as far, 'free soloing' to the absolute limit of human capabilities. Half of them are dead. From Yosemite's famous Half Dome to the frighteningly difficult El Sendero Luminoso in Mexico, Alone on the Wall explores Alex's seven most extraordinary climbing achievements so far. These are tales to make your palms sweat and your feet curl with vertigo. Together, they get to the heart of how - and why - Alex does what he does. Exciting, uplifting and truly awe-inspiring, Alone on the Wall is a book about the essential truth of being free to pursue your passions and the ability to maintain a singular focus, even in the face of mortal danger.

In 1999, Conrad Anker found the body of George Mallory on Mount Everest, casting an entirely new light on the mystery of the lost explorer.On 8 June 1924, George Leigh Mallory and Andrew 'Sandy' Irvine were last seen climbing towards the summit of Everest. The clouds closed around them and they were lost to history, leaving the world to wonder whether or not they actually reached the summit - some 29 years before Edmund Hillary and Tensing Norgay.On 1 May 1999, Conrad Anker, one of the world's foremost mountaineers, made the momentous discovery - Mallory's body, lying frozen into the scree at 27,000 feet on Everest's north face. Recounting this day, the authors go on to assess the clues provided by the body, its position, and the possibility that Mallory had successfully climbed the Second Step, a 90-foot sheer cliff that is the single hardest obstacle on the north face. A remarkable story of a charming and immensely able man, told by an equally talented modern climber.

'I have given my whole life to the mountains. Born at the foot of the Alps, I have been a ski champion, a professional guide, an amateur of the greatest climbs in the Alps and a member of eight expeditions to the Andes and the Himalayas. If the word has any meaning at all, I am a mountaineer.' So Terray begins Conquistadors of the Useless- not with arrogance, but with typical commitment. One of the most colourful characters of the mountaineering world, his writing is true to his uncompromising and jubilant love for the mountains. Terray was one of the greatest alpinists of his time, and his autobiography is one of the finest and most important mountaineering books ever written. Climbing with legends Gaston Rebuffat, Maurice Herzog and Louis Lachenal, Terray made first ascents in the Alps, Alaska, the Andes, and the Himalaya. He was at the centre of global mountaineering at a time when Europe was emerging from the shadow of World War II, and he came out a hero. Conquistadors tells of his war-time escapades, of life as an Alpine mountain guide, and of his climbs - including the second ascent of the Eiger North Face and his involvement in the first ever ascent of an 8,000-metre peak, Annapurna. His tales capture the energy of French post-war optimism, a time when France needed to re-assert herself and when climbing triumphs were more valued than at any other time in history. Terray's death, in the Vercors, robbed mountaineering of one of its most passionate and far-sighted figures. His energy, so obvious in Conquistadors of the Useless, will inspire for generations to come. A mountaineering classic.

Since its 1967 production of Vanbrugh's The Relapse, the Royal Shakespeare Company has been the world's leading producer of Restoration Comedies. This book is the first to document and critique the company's history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC's explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical andcultural meaning.

How bond campaigns used coercive, modern marketing techniques to sell Canadians on the First World War. "Stick it, Canada! Buy more Victory Bonds!" The First World War demanded deep personal sacrifice in the field and at home, even when home was far from the front. It also made unrelenting financial demands on both the governments and populations of Canada and Newfoundland. Boosters and Barkers is a highly original examination of the drive to finance Canadian participation in the conflict: Ottawa's calls for direct public contributions in the form of war bonds; the intersections with imperial funding, taxation, and conventional revenue; and the substantial fiscal implications of participation in the conflict during and after the war. Canada's bond-selling campaigns used print, images, and music to sell both the war and public engagement. They received an astounding response, generating revenue that covered almost a third of the country's total war costs, which were estimated at $6.6 billion-- a dramatic charge on a dominion so far from the front. This is a story of inexorable need, shrewd propaganda, resistance, engagement, and long-term consequences.

By 1930, no place in the world was less well explored than Greenland. The native Inuit had occupied the relatively accessible west coast for centuries. The east coast, however, was another story. In August 1930, Henry George Watkins (nicknamed "Gino"), a twenty-three-year-old British explorer, led thirteen scientists and explorers on an ambitious expedition to the east coast of Greenland and into its vast and forbidding interior to set up a permanent meteorological base on the icecap, 8,200 feet above sea level. The Ice Cap Station was to be the anchor of a transpolar route of air travel from Europe to North America.The weather on the ice cap was appalling. Fierce storms. Temperatures plunging lower than -50° Fahrenheit in the winter. Watkins's scheme called for rotating teams of two men each to monitor the station for two months at a time. No one had ever tried to winter over in that hostile landscape, let alone manage a weather station through twelve continuous months. Watkins was younger than anyone under his command. But he had several daring trips to the Arctic under his belt and no one doubted his judgement.The first crisis came in the fall when a snowstorm stranded a resupply mission halfway to the top for many weeks. When they arrived at the ice cap, there were not enough provisions and fuel for another two-man shift, so the station would have to be abandoned. Then team member August Courtauld made an astonishing offer. To enable the mission to go forward, he would monitor the station solo through the winter. When a team went up in March to relieve Courtauld, after weeks of brutal effort to make the 130-mile journey, they could find no trace of him or the station. By the end of March, Courtauld's situation was desperate. He was buried under an immovable load of frozen snow and was disastrously short on supplies. On April 21, four months after Courtauld began his solitary vigil, Gino Watkins set out inland with two companions to find and rescue him.David Roberts, "veteran mountain climber and chronicler of adventures" (Washington Post), draws on firsthand accounts and archival materials to tell the story of this daring expedition and of the epic survival ordeal that ensued.

Establishing science fiction as its own distinct and increasingly important narrative form, this book explores how the genre challenges pervasive perceptions of society as they appear in the conventional modern novel. Inspired by, and building upon, Georg Lukács's criticism of the orthodox novel for its depiction of life as alienating and disjointed, Milner, Murphy and Roberts demonstrate that science fiction steps beyond this contemporary form to be a more constructive form of literature, one able to conceive of society as complete, integrated and well-rounded. Taking stock of three kinds of science fiction which lie outside the scope of the modern novel - theological/ ontological science fiction, the science fiction of future history and epic science fiction - this book demonstrates the genre's unique capacity to encapsulate the whole world, persons and events, things and objects in a glance, and address the motive behind the longing for meaningful totality. With reference to a vast array of works by authors such as Michel Houellebecq, Elias Canetti, Isaac Asimov, Jules Verne, H. G. Wells, Aldous Huxley, Marge Piercy, Iain M. Banks, Margaret Atwood, Ursula K. Le Guin, William Gibson, Dirk C. Fleck, Philip K. Dick, George Orwell and Kazuo Ishiguro, this book offers a compelling argument for rethinking the position and potential of the science fiction novel and to challenge the way we perceive our culture.

Love experienced, love observed, love examined from different angles, love in the context of human life in all its variety. - This is not a normal book of love poetry. It goes beyond expressions of adoration, wonder, longing, and loss - the rhetoric of love poetry. It is a wide ranging exploration of "love".The author's approach is often thoughtful - even philosophical, at other times it may be surreal, bizarre, suggestive or facetious. This is "poetry of ideas".Poems include, Fifty kinds of love, Love is its own reward, Does love exist? How could you know? Don't vanish with the dawn, A heart in winter.100 pages

Set in Yorkshire in the 1980s, The Way the Day Breaks is a novel about family, love, memory and mental illness and is one of the most moving, honest accounts of the way mental illness vibrates through the life of a family.

American Brad Washburn's impact on his protégés and imitators was as profound as that of any other adventurer in the twentieth century. Unquestionably regarded as the greatest mountaineer in Alaskan history and as one of the finest mountain photographers of all time, Washburn transformed American attitudes toward wilderness and revolutionized the art of mountaineering and exploration in the great ranges. In The Last of His Kind, National Geographic Adventure contributing editor David Roberts goes beyond conventional biography to reveal the essence of this man through the prism of his extraordinary exploits from New England to Chamonix, and from the Himalayas to the Yukon. An exciting narrative of mountain climbing in the twentieth century, The Last of His Kind brings into focus Washburn's deeds in the context of the history of mountaineering, and provides a fascinating look at an amazing culture and the influential icon who shaped it.

A vivid and beautifully illustrated account of half a century of queer activism.

The riveting story of one of the greatest but least-known sagas in the history of exploration from David Roberts, the "dean of adventure writing."

Over 200 Memories of Harry Nilsson by the fans and musicians that loved him the most.

This volume illustrates the limits to the 1990s UNTAC peace-keeping intervention in Cambodia and demonstrates the flaws of this approach to conflict resolution. It shows that liberal pluralism is not necessarily a reliable vehicle for change in developing societies.

Celebrating 50 years since the release of 'All Right Now' and their classic album Fire And Water, this official book Rock 'n' Roll Fantasy is an oral history mixing over 350 fan anecdotes with a narrative written by Paul Rodgers and Simon Kirke following the career of Free, Bad Company, the solo years of Paul Rodgers as well as The Firm and Queen.

Comprises of 123 tinted and water colored lithographs produced by the British artist, David Roberts. This book reproduces full color all 123 of Roberts' lithographs along with the unabridged text by the Reverend George Croly, L L D, that accompanied the prints when they first appeared in 1842.