Includes a dossier on AIDS activist film and video, marking the twenty-fifth year of the AIDS pandemic. This book also contains essays on late-nineteenth-century male nudes, lesbian surrealism, homoerotic photography in the deep South, and the transnational, transgender contexts of the Pulitzer Prize-winning play "I Am My Own Wife".
This book offers the first scholarly assessment of the work of Oscar Award winner Tarell Alvin McCraney.
Argues for the centrality of theatre and performance in the American national imaginary
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