Böcker av Delmore Schwartz

Now with an exciting new preface by Lou Reed (Delmore Schwartz's student at Syracuse), In Dreams Begin Responsibilities collects eight of Schwartz's finest delineations of New York's intellectuals in the 1930s and 1940s. As no other writer can, Schwartz captures the speech, the generational conflicts, the mocking self-analysis of educated, ambitious, Depression-stymied young people at odds with their immigrant parents. This is the unique American dilemma Irving Howe described as "that interesting point where intellectual children of immigrant Jews are finding their way into the larger world while casting uneasy, rueful glances over their backs." Afterwords by James Atlas and Irving Howe place the stories in their historical and cultural setting.

The first complete collection of the poetry of Delmore Schwartz, "the most underrated poet of the twentieth century" (John Berryman).When Delmore Schwartz published his first short story, "In Dreams Begin Responsibilities," in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, "Your poetic style is beyond any doubt the first real innovation that we've had since Eliot and Pound," and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work.This book brings together all of Schwartz's poetry for the very first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer's illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, "It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life."

Readers of the poetry and fiction of Delmore Schwartz (1913-66) are familiar with his penetrating psychology and his philosophical concerns, his ability to dramatize ideas and to turn his personal experiences--as immigrant son, New York Jewish intellectual and Wunderkind--into a symbol for the disorders and conflicts of modern life. But Schwartz had another side--the comic. The Ego Is Always at the Wheel, a collection of nineteen essays published now as a New Directions Paperbook, presents the poet as a humorist of no mean accomplishment. In this gathering of Schwartz's bagatelles, he romps through such topics as the taking of baths and the meaning of existentialism, the abominations of the telephone, fear of having one's picture taken, the importance of owning an automobile, theories of Hamlet's behavior and Don Giovanni's promiscuity, the difficulties of divorce, and more. His "An Author's Brother-in-Law" and "Memories of a Metropolitan Child, Memoirs of a Giant Fan" provide endearing self-portraits of the young Delmore. And "The Farmer Takes His Time" is an hilarious inquiry into a N.Y. Times news item about a Wisconsin widower who advertises for a wife.

Here follows the highs and lows of a relationship between two extraordinary personalities.