Böcker av Dr Stephen Skinner

The Goetia is the most famous grimoire after the Key of Solomon. This volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton which includes four whole grimoires: Liber Malorum Spituum seu Goetia; Theurgia-Goetia; Ars Paulina (Books 1 & 2); Ars Almadel. This was owned by Dr Thomas Rudd, a practising scholar-magician of the early seventeenth century. There are many editions of the Goetia, of which the most definitive is that of Joseph Peterson, but here we are interested in how the Goetia was actually used by practising magicians in the 16th and 17th century, before the knowledge of practical magic faded into obscurity. To evoke the 72 demons listed here without the ability to bind them would be foolhardy indeed. It was well known in times past that invocatio and ligatio, or binding, was a key part of evocation, but in the modern editions of the Goetia this key technique is expressed in just one word ''Shemhamaphorash'', and its use is not explained. This volume explains how the 72 angels of the Shem ha-Mephorash are used to bind the spirits, and the correct procedure for safely invoking them using special seals incorporating the necessary controlling angel, whose name is also engraved on the breastplate and Brass Vessel.

An account of feng-shui, a Chinese art providing the ability to live in harmony with nature and at peace. Skinner outlines the history, principles and application of this art, the philosophy of which is that energy flows through "dragon" lines which can promote prosperity, peace and happiness.

The Ars Notoria is a mediaeval grimoire which was widely distributed and very popular in the 13th-16th century, but virtually unknown until recently. Version B (MS Bibliothÿque Nationale Lat. 9336.) is a commentary on the Method which has never been published in English before. The present text is a reorganisation of that commentary into subject order without the loss of any practical detail. All the notae and the full invocations/orations are included, but most of the Latin prayers have been omitted as they do not contribute to the methods effectiveness. The Ars Notoria is still very relevant in the 21st century because it contains detailed techniques to enable the practitioner to absorb whole subjects very rapidly, and to understand very complex subjects on first reading, as well as remembering whatever has been read. Like many magic manuscripts this work was attributed to famous individuals including Solomon (who reputedly received the book directly from God via the angel Pamphilius), which was translated into Greek by the magician Apollonius of Tyana, along with input from Euclid of Thebes, the father of Honorius of Thebes the author of The Sworn Book of Honorius (Liber Juratus) and Mani, the prophet. Solomonic grimoires are concerned with the evocation of spirits or demons, but the Ars Notoria stands alone as angel magic concerned only with memory and the ability to understand and absorb whole subjects rapidly, making it a veritable student's grimoire, a key to obtaining knowledge rapidly. Despite its popularity and enduring history the Ars Notoria has never been printed in its complete form. After its early Latin appearance there was only one incomplete English translation by Robert Turner in 1657, and that omitted the most vital component for its operation, the notae, a set of complex pictorial illustrations, without which the system just does not work. It also abbreviated most of the orations/invocations. The present edition contains all the notae matched with all the complete invocations/orations, and instructions for their use.

The Sourcework of Dee's Enochian Magic, transcribed from his original manuscript with literally thousands of corrections

This is the highpoint of calligraphic Victorian grimoires, full colour throughout. A very significant magical text with lots of detail not normally found in a grimoire

Contains the most complete set of tabular correspondences covering magic, astrology, divination, alchemy, tarot, I-Ching, kabbalah, gematria, grimoires, angels, demons, pagan pantheons, plants, perfumes, incenses, religious and mystical correspondences currently in print. They are more than four times more tables than in Crowley's Liber 777. The source of the data in these tables ranges from unpublished manuscript mediaeval grimoires and Kabbalistic works, Peter de Abano, Abbott Trithemius, Albertus Magnus, Henry Cornelius Agrippa, Dr John Dee, Dr Thomas Rudd, Tycho Brahe, MacGregor Mathers (and the editors of Mathers' work, Aleister Crowley and Israel Regardie), to the most modern theories of prime numbers and atomic weights. The sources include many key grimoires such the Sworn Book, Liber Juratus, the Lemegeton (Goetia, Theurgia-Goetia, Almadel, Pauline Art), Abramelin, and in the 20th century the grimoire of Franz Bardon. All this material has been grouped and presented in a consistent and logical way covering the whole Western Mystery tradition and some relevant parts of the Eastern tradition. Some of the Tables included in this work: Alchemy and Alchemists; Angels: Biblical and Gnostic; Astrology: Zodiac, Planets, Decans, Mansions of the Moon, Fixed Stars and Constellations; Buddhist Meditation; Christianity; Colour Scales; Demons; Dr John Dee's Angels; Emblems; Feng Shui and Taoist Magic; Gematria; Geomancy; Grimoires; Herbs; Islamic and Arab Magic; Isopsephy; Judaism; Kabbalah; Letters, Alphabets & Numbers; Magic and Sorcery; Mind, Body and Spirit; Natural Magic: Plants, Stones; Orders, Grades and Officers; Pagan Pantheons; Perfumes & Incenses; Planetary & Olympic Spirits; Questing and Chivalry; Sacred Geometry; Tarot; Timeline: Magicians, Kabbalists, Alchemists, Astrologers; Knights Templar; Vedic and Hindu Meditation and Magic; Wheel of the Year: Hours, Months, Seasons, Festivals; Yi Jing / I Ching.

"The Key of Solomon" is one of the most famous and infamous of the Grimoires ever produced. This title offers a translation of three completely different 1796 French manuscripts of "The Key of Solomon".

There have been many grimoires attributed to St Cyprian of Antioch due to his reputation as a consummate magician before his conversion to Christianity, but perhaps none so intriguing as the present manuscript. This unique manuscript (unlike the more rustic examples attributed to St Cyprian called the Black Books of Wittenburg, as found in Scandinavia, or the texts disseminated under his name in Spain and Portugal) is directly in line with the Solomonic tradition, and therefore relevant to our present series of Sourceworks of Ceremonial Magic. It is unique in that instead of being weighed down with many prayers and conjurations it addresses the summoning and use of both the four Archangels, Michael, Raphael, Gabriel and Uriel as well as their opposite numbers, the four Demon Kings, Paymon, Maimon, Egyn and Oriens. The later are shown in their animal and human forms along with their sigils, a resource unique amongst grimoires. The text is in a mixture of three magical scripts, Greek, Hebrew, cipher, Latin, (and reversed Latin) with many contractions and short forms, but expanded and made plain by the editors. The title literally means 'The Key of Hell with white and black magic as proven by Metatron'.

This work includes the complete unabridged version with variants of The Nine Great Keys, a vital early 17th century manuscript detailing the invocation of the Archangels and nine Orders of Angels. The full practical techniques of summoning the Archangels, details of the hierarchies of spiritual beings, and how the full Enochian system fits in with the Angelic and Demonic hierarchies are all covered, as well as the theology and philosophy associated with Angelic magic, giving the context that these magical practitioners were working with. It includes the evocation of the Four Demon Princes and their role within the traditional system of magic. The book deals clearly with the full continuum of spiritual creatures from Archangels through Angels to Demon Princes (Fallen Angels), to Olympic Spirits and Elementals. This is presented in practical detail, with much rare manuscript material being made available in print for the first time.