Böcker av Duncan Ryuken Williams

This work examines the emergence of American Buddhism as a significant research field. Issues examined include: identity in Asian-American Buddhism; the new Buddhism; Buddhism and American culture; and the scholar's place in American Buddhist studies.

Duncan Ryuken Williams reveals the little-known story of how, in the darkest hours of World War II when Japanese Americans were stripped of their homes and imprisoned in camps, a community of Buddhists launched one of the most inspiring defenses of religious freedom in our nation's history, insisting that they could be both Buddhist and American.

The film Kiku and Isamu (1959) was one of the first cinematic depictions of mixed-race children in postwar Japan, telling the story of two protagonists facing abandonment by two different Black GI fathers and ostracism from Japanese society. Bringing together studies of the representations of the Hapa Japanese experience in culture, Hapa Japan: Identities & Representations (Volume 2) tackles everything from Japanese and American films like Kiku and Isamu to hybrid graphic novels featuring mixed-race characters. From Muslim Japanese-Pakistani children in a Tokyo public school to "Blasian" youth at the AmerAsian School close to a US military base in Okinawa, the Hapa experience is multiple, and its cultural representations accordingly are equally diverse. This anthology is the first publication to attempt to map this wide range of Hapa representations in film, art and society.

Popular understanding of Zen Buddhism typically involves a stereotyped image of isolated individuals in meditation, contemplating nothingness. This book presents the 'other side of Zen', by examining the movement's growth during the Tokugawa period (1600-1867) in Japan and by shedding light on the Japanese religious landscape during the era.