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Böcker av Earl E. Fitz

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  • av Earl E. Fitz
    2 930,-

    A literary and, to a lesser degree, socio-political, history of America, from its indigenous past to 2026, the book offers the reader a great deal of information about America, understood not merely as the domain of one nation but as a giant, hemispheric complex, one full of fascinating interactions and relationships.

  • av Earl E. Fitz
    460 - 1 346,-

  • - Language, Art, and Verisimilitude in the Last Six Novels
    av Earl E. Fitz
    420 - 1 850,-

    Argues that Machado de Assis, hailed as one of Latin American literature's greatest writers, was also a major theoretician of the modern novel form. Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory.

  • - Six Critical Periods
    av Earl E. Fitz
    1 346,-

    This book discusses literary texts from English and French Canada, the US, Spanish America, the Caribbean, and Brazil. Bibliographic entries refer the reader to native American literature and culture. The periods focused on include the Colonial Period, the Nineteenth Century, Modernism and Modernity, the 1960s, and the Contemporary Moment.

  • - The Differance of Desire
    av Earl E. Fitz
    400,-

    This book argues that poststructuralism offers important and revealing insights into all aspects of Lispector's writing,

  • - The Novels
    av Earl E. Fitz
    646,-

    This book examines the nature and function of the main female characters in the nine novels of Machado de Assis. The basic argument is that Machado had a particular interest in female characterization and that his fictional women became increasingly sophisticated and complex as he matured and developed as a writer and social commentator. This book argues that Machado developed, especially after 1880 (and what is usually considered the beginning of his ';mature' period), a kind of anti-realistic, ';new narrative,' one that presents itself as self-referential fictional artifice but one that also cultivates a keen social consciousness. The book also contends that Machado increasingly uses his female characterizations to convey this social consciousness and to show that the new Brazil that is emerging both before and after the establishment of the Brazilian Republic (1889) requires not only the emancipation of the black slaves but the emancipation of its women as well.

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