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  • av Elaine Scarry
    246,-

    A fascinating case for the identity of Shakespeare's beautiful young manShakespeare's sonnets are indisputably the most enigmatic and enduring love poems written in English. They also may be the most often argued-over sequence of love poems in any language. But what is it that continues to elude us? While it is in part the spellbinding incantations, the hide-and-seek of sound and meaning, it is also the mystery of the noble youth to whom Shakespeare makes a promise-the promise that he will survive in the breath and speech and minds of all those who read these sonnets. "How can such promises be fulfilled if no name is actually given?" Elaine Scarry asks, and this book is the answer.Naming Thy Name lays bare Shakespeare's devotion to a beloved whom he not only names but names repeatedly in the microtexture of the sonnets, in their architecture, and in their deep fabric, immortalizing a love affair. By naming his name, Scarry enables us to hear clearly, for the very first time, a lover's call and the beloved's response. Here, over the course of many poems, are two poets in conversation, in love, speaking and listening, writing and writing back.In a true work of alchemy, Scarry, one of America's most innovative and passionate thinkers, brilliantly synthesizes textual analysis, literary criticism, and historiography in pursuit of the haunting call and recall of Shakespeare's verse and that of his (now at last named) beloved friend.

  • av Elaine Scarry
    250,-

    During his impeachment proceedings, Richard Nixon boasted, "I can go into my office and pick up the telephone and in twenty-five minutes seventy million people will be dead." Nixon was accurately describing not only his own power but also the power of every American president in the nuclear age.Presidents Eisenhower, Kennedy, Johnson, and Nixon each contemplated using nuclear weapons-Eisenhower twice, Kennedy three times, Johnson once, Nixon four times. Whether later presidents, from Ford to Obama, considered using them we will learn only once their national security papers are released.In this incisive, masterfully argued new book, award-winning social theorist Elaine Scarry demonstrates that the power of one leader to obliterate millions of people with a nuclear weapon-a possibility that remains very real even in the wake of the Cold War-deeply violates our constitutional rights, undermines the social contract, and is fundamentally at odds with the deliberative principles of democracy.According to the Constitution, the decision to go to war requires rigorous testing by both Congress and the citizenry; when a leader can single-handedly decide to deploy a nuclear weapon, we live in a state of "thermonuclear monarchy," not democracy.The danger of nuclear weapons comes from potential accidents or acquisition by terrorists, hackers, or rogue countries. But the gravest danger comes from the mistaken idea that there exists some case compatible with legitimate governance. There can be no such case. Thermonuclear Monarchy shows the deformation of governance that occurs when a country gains nuclear weapons.In bold and lucid prose, Thermonuclear Monarchy identifies the tools that will enable us to eliminate nuclear weapons and bring the decision for war back into the hands of Congress and the people. Only by doing so can we secure the safety of home populations, foreign populations, and the earth itself.

  • av Elaine Scarry
    270,-

    Have we become beauty-blind? This title not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. It offers a manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms.

  • av Elaine Scarry
    316,-

  • av Elaine Scarry
    550,-

    Just as painters understand paint, composers musical instruments, and sculptors stone or metal, verbal artists understand the only material in which their creations will get made - the back-lit tissue of the human brain. This book explores the almost miraculous processes by which poets and writers teach us the work of imaginative creation.

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