Böcker av Eliot Borenstein

Today's Russia, Unstuck in Time suggests, is a nation of time travelers, living either in memories of the Great Patriotic War and a society that provided for all its citizens or an alternative future in which the USSR never collapsed. Eliot Borenstein examines the ways in which films, fiction, television, social media, political parties, and even theme parks use the conventions of time travel and alternate history to fantasize about narratives that are more appealing than the post-Soviet present.Unstuck in Time explores the centrality of an uncannily persistent USSR in the post-Soviet cultural imagination through deeply engaged and entertaining readings of an impressive array of texts: fantasies in which characters time-crash into the Soviet past, fictions of triumphant far-future Soviet societies, and real-life enterprises feeding the belief that the Soviet Union never ended. Whether channeled into benign nostalgia or dangerous mythmaking, the cases that Borenstein analyzes reveal the extent to which the psychic shock of the end of the Soviet Union left Russians adrift, caught between a past many still long for and a future few can imagine.

In this original and timely assessment of cultural expressions of paranoia in contemporary Russia, Eliot Borenstein samples popular fiction, movies, television shows, public political pronouncements, internet discussions, blogs, and religious tracts to build a sense of the deep historical and cultural roots of konspirologiia that run through...

Borenstein argues that the popular cultural products consumed in the post-perestroika era were more than just diversions; they allowed Russians to indulge their despair over economic woes and everyday threats.

This text offers a critical study of postmodernism in Russian literature. It takes some of the central issues of the critical debate to develop a conception of postmodern poetics as a dialogue with chaos and places Russian literature in the context of an enriched postmodernism.

Examines the literature of the early Soviet period to shed new light on the iconic Russian concept of comradeship. By analysing a variety of Russian writers who span the ideological spectrum, this title provides an illuminating reading of the construction of masculinity in Soviet culture.